The Potato Eaters
Vincent van Gogh · 1885
Vincent van Gogh: 1853–1890
Biography
Vincent van Gogh was a Dutch painter whose career developed through work in the Netherlands, Belgium and France. In Antwerp he studied art and encountered Japanese prints; after moving to Paris in 1886, contact with artists including Gauguin and Seurat helped transform his use of colour. He settled in Arles in 1888 and later worked in Saint-Rémy. His paintings use strong colour and visible brushwork to give familiar subjects an expressive intensity. Artline's selection includes a bedroom, a self-portrait, trees, a wheat field and flowers. Together these works offer several ways to look at his treatment of interiors, landscape and still life.
Reference biography
Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləɱ vɑŋ ˈɣɔx] ; 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. His suicide at age 37 followed years of mental illness and poverty.
Born into an upper-middle-class family in Zundert, Van Gogh drew as a child and was serious, quiet and thoughtful. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion, and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881, having moved back home with his parents.
His younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, contain few signs of the vivid colour that distinguished his later work. In 1886, he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility.
As his work developed he created a new approach to still lifes and local landscapes. His paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include series of olive trees, wheat fields and sunflowers.
Van Gogh suffered from psychotic episodes and delusions and though he worried about his mental stability, he often neglected his physical health, did not eat properly and drank heavily. His friendship with Gauguin ended after a confrontation with a razor, when in a rage, he severed part of his own left ear. He spent time in psychiatric hospitals, including a period at Saint-Rémy. After he discharged himself and moved to the Auberge Ravoux in Auvers-sur-Oise near Paris, he came under the care of the homoeopathic doctor Paul Gachet. His depression continued and on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later.
Van Gogh was unsuccessful during his lifetime and was considered a madman and a failure. He became famous after his suicide, and exists in the public imagination as the quintessential misunderstood genius, the artist "where discourses on madness and creativity converge". His reputation began to grow in the early 20th century as elements of his painting style came to be incorporated by the Fauves and German Expressionists. He attained widespread critical, commercial and popular success over the ensuing decades, and is remembered as an important but tragic painter, whose troubled personality typifies the romantic ideal of the tortured artist.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Japanese printsdocumented
Evidence
The National Gallery records Van Gogh’s interest in Japanese prints during his Antwerp period.
- Alfred Sisleyeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Willem Roelofs (I)editorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Jacob van Ruisdaeleditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Jean-François Milleteditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Sir Luke Fildeseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Peter Paul Rubenseditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Hugo van der Goeseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Paul Cézanneeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Camille Pissarrodocumented
Evidence
Pissarro helped Van Gogh develop a brighter palette and use complementary colours. The cited museum text was read and supports this relationship.
- Anton Mauveeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Constantinus Cornelis Huysmanseditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Katsushika Hokusaieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Paul Gauguindocumented
Evidence
Gauguin encouraged Van Gogh's expressive and symbolic use of colour. The cited museum text was read and supports this relationship.
- Jean-Baptiste-Siméon Chardineditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Anton Mauveeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Rembrandt van Rijneditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Henri de Toulouse-Lautrecdocumented
Evidence
Toulouse-Lautrec encouraged Van Gogh's expressive and symbolic use of colour. The cited museum text was read and supports this relationship.
Later influence
- Max Oppenheimereditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Nicolas de Staëleditorial inference
Evidence
The biography explicitly names the listed painter(s) as an influence; retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- Beauford Delaneyeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Maurice de Vlaminckeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Francis Baconeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Hermann Nitscheditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Piet Mondrianeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Max Pechsteineditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Emile Othon Frieszeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Fernando García Ponceeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Charles Burchfieldeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Paula Modersohn-Beckereditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Egon Schieleeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Július Andorkoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Edvard Muncheditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Mikhail Larionoveditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Wassily Kandinskyeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Jan Mankeseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Richard Hayley Levereditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Franz Marceditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Frank Bowlingeditorial inference
Evidence
The biography identifies Vincent van Gogh as an artistic influence on Frank Bowling. These influences concern Bowling's earliest works. Explicit secondary-source assertion; independent historical verification remains pending.
- Lilian Lancastereditorial inference
Evidence
The biography identifies Vincent van Gogh as an artistic influence on Lilian Lancaster (artist). Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
Loading chronology…Museum / collectionAll collections
Finding recorded artworks…
Museums & collections
Documented holdings of works attributed to Vincent van Gogh. Check the museum’s record for current display information.
- The Metropolitan Museum of Art25 recorded works
- National Gallery of Art20 recorded works
- Art Institute of Chicago17 recorded works
- Van Gogh Museum12 recorded works
- Kröller-Müller Museum7 recorded works
- National Gallery5 recorded works
- Rijksmuseum5 recorded works
- The Cleveland Museum of Art5 recorded works
- Musée d’Orsay4 recorded works
- Pushkin State Museum of Fine Arts4 recorded works
- Museum of Modern Art3 recorded works
- Belvedere2 recorded works
- Minneapolis Institute of Art2 recorded works
- Ateneum Art Museum1 recorded work
- Galleria d'Arte Moderna1 recorded work
- Hermitage Museum1 recorded work
- Museo Nacional Thyssen-Bornemisza1 recorded work
- Neue Pinakothek — Bayerische Staatsgemäldesammlungen1 recorded work
- Statens Museum for Kunst (SMK)1 recorded work
- Tate1 recorded work
- The Courtauld Gallery1 recorded work
Sources 17
- Wikidata (CC0)
- Austrian museum collections: independent authority research
- National Gallery, London
- National Gallery of Art
- National Gallery, London
- Museum authority country review
- National Gallery, London
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- National Gallery, London
- Museum authority country review
- Statens Museum for Kunst (SMK)
- Tate Collection metadata (October 2014 snapshot)
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Expanded artwork research — official museum evidence
- Austrian museum collections: independent authority research
- National Gallery, London
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
Art, literature & history