Francis Bacon
1909–1992

Selected artwork
Figure with Meat
1954
Art Institute of Chicago
Other names (6)
Francis Bacon, Francis Bacon, Francis Bacon, Francis Bacon, Francis Bacon, Francis Bacon
Biography
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
He said that he saw images "in series", and his work, which numbers in the region of 590 extant paintings along with many others he destroyed, typically focused on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on single motifs; including the 1930s Picasso-influenced bio-morphs and Furies, the 1940s male heads isolated in rooms or geometric structures, the 1950s "screaming popes", the mid-to-late-1950s animals and lone figures, the early-1960s crucifixions, the mid-to-late-1960s portraits of friends, the 1970s self-portraits, and the cooler, more technical 1980s paintings.
Bacon did not begin to seriously focus on painting until his late twenties, having drifted in the late 1920s and early 1930s as an interior decorator, bon vivant and gambler. He said that his artistic career was delayed because he spent too long looking for subject matter that could sustain his interest. His breakthrough came with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, which sealed his reputation as a uniquely bleak chronicler of the human condition.
From the mid-1960s, he mainly produced portraits of friends and drinking companions, either as single, diptych or triptych panels. Following the suicide of his lover George Dyer in 1971 (memorialised in his Black Triptychs, and a number of posthumous portraits), his art became more sombre, inward-looking and preoccupied with the passage of time and death. The climax of his later period is marked by the masterpieces Study for Self-Portrait (1982) and Study for a Self-Portrait—Triptych, 1985–86.
Despite his existentialist and bleak outlook, Bacon was charismatic, articulate and well read. A bon vivant, he spent his middle age eating, drinking and gambling in London's Soho with like-minded friends including Lucian Freud (although they fell out in the mid-1970s, for reasons neither ever explained), John Deakin, Muriel Belcher, Henrietta Moraes, Daniel Farson, Tom Baker and Jeffrey Bernard. After Dyer's suicide, he largely distanced himself from this circle, and while still socially active and his passion for gambling and drinking continued, he settled into a platonic and somewhat fatherly relationship with his eventual heir, John Edwards.
Since his death, Bacon's reputation has grown steadily, and his work is among the most acclaimed, expensive and sought-after on the art market. In the late 1990s, a number of major works, previously assumed destroyed, including early 1950s pope paintings and 1960s portraits, re-emerged to set record prices at auction.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Rembrandt van Rijneditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Vincent van Gogheditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Marlene Dumaseditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Egon Schieleeditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Pablo Picassoeditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Paul Cézanneeditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Matthew Smitheditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Graham Sutherlandeditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Titianeditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Chaim Soutineeditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Diego Velázquezeditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
Later influence
- David Hockneyeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- John LeKayeditorial inference
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Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Cecily Browneditorial inference
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Reviewed the named influence and direction in the source passage. Explicit secondary-source assertion; independent historical verification remains pending.
- Damien Hirsteditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- David Bowieeditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Alberto Sughieditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Stephen Conroyeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Julian Schnabeleditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Lucian Freudeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Jorge Camachoeditorial inference
Evidence
The biography identifies Francis Bacon as an artistic influence on Jorge Camacho (painter). Explicit secondary-source assertion; independent historical verification remains pending.
- Frank Bowlingeditorial inference
Evidence
The biography identifies Francis Bacon as an artistic influence on Frank Bowling. These influences concern Bowling's earliest works. Explicit secondary-source assertion; independent historical verification remains pending.
- Nathan Oliveiraeditorial inference
Evidence
The biography identifies Francis Bacon as an artistic influence on Nathan Oliveira. The passage distinguishes Oliveira's own account from his formative visits to Expressionist retrospectives. Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Francis Bacon. Check the museum’s record for current display information.
- Tate11 recorded works
- Museum of Modern Art4 recorded works
- The Metropolitan Museum of Art2 recorded works
- Aberdeen Archives, Gallery & Museums1 recorded work
- Art Institute of Chicago1 recorded work
- Buffalo AKG Art Museum1 recorded work
- Detroit Institute of Arts1 recorded work
- National Gallery of Art1 recorded work
- Solomon R. Guggenheim Museum1 recorded work
- Stedelijk Museum Amsterdam1 recorded work
- Tehran Museum of Contemporary Art (TMoCA), Tehran, Iran1 recorded work
- The Cleveland Museum of Art1 recorded work
- Whitworth Art Gallery1 recorded work
Sources 11
- Wikidata (CC0)
- National Gallery of Art
- Museum authority country review
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Museum authority country review
- Tate Collection metadata (October 2014 snapshot)
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Expanded artwork research — official museum evidence
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- UK painters — source authorities and selected artwork research
- UK painters — source authorities and selected artwork research
Art, literature & history