Portrait of Jacopo Strada
Titian · 1567–1568
Titian: 1488–1576
Other names (100)
called Titian Tiziano Vecelli, Called, Titian Tiziano Vecelli Cavaliere, called Titian Veccellio, de Cador Titien de Vecelli, de Cador Titien Vecelli, Detiano, Ditiano, dit le Titien Titiano Vecelli da Cadore, dit Le Titien Titianus Vecellio, dit Le Titien Vecelli, genannt Vecelli Titian, Le Titien, ou le Titien Titianus Vecellio, teriano vecellio, Tetian, Tetiano, Thitsiaen, Thitsian, Ticciani, Ticciano, Tician, Ticiano, Ticiano Vecelio, Ticijan, Tietsiaen, tipciano, tipziano, Tisciano, Tishan, Tishian, Tisiaen, Tisiano, Tisien, Tissian, Tissien, Titain, Titiaan, Titiaen, Titiaen Uccello, Titiani, Titiano, Titiano da Cadore, Titiano d'Uxellio Dacadore, Titiano Vccello, Titiano Veccelly, Titiano Vecelli, Titiano Vecellio, Titiano Vercelli, Titiano Vicelli, titians, Titianus, Titianus Vecelly, Titian Vecelli, Titian Vecelli da Cadore, Titien, Titien de Vecelli, Titien de Vecelli de Cador, Titien Vecelli, Titien Vecelli da Cador, Titien Vecelli De Cador, Titien Vecelly, Titien Wecelli, Tititian, Titsiaen, Tit︠s︡ian, Tit︠s︡iano Vechellio, Tittien-Vecelli, Tizano, Tiziani, Tiziano veccelio, Tiziano veccelli, Tiziano Veccellio, Tiziano Vecelli Cavaliere, Tiziano Vecelli da Cador, Tiziano Vecelli da Cadore, Tiziano Vecellio da Cadore stato Veneto, Tiziano Vecellio di Cadore, Tiziano Vecellio Genannt Tiziano, tiziano vezelli, Tiziano Vicelli, tizian v., tizian vecelli, tizian vecellio, Tizzani, Tizziani, Tizziano, Ttalion, tticiano, ttiziano, Tuziano, Tycjan, Veccelli Titian genoemd Titiaan, Vecelio Ticiano, Vecelli, Vecelli da Cadore, Vecelli da Cadore Titian, Vecelli da Cadore, Ven. Titian, Vecellio Titian, Vicelli, Ziano
Biography
Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c. 1488/1490 – 27 August 1576), Latinized as Titianus, hence known in English as Titian ( TISH-ən), was an Italian Renaissance painter. The most important artist of Renaissance Venetian painting, he was born in Pieve di Cadore, near Belluno.
Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists.
His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo described Titian as "the sun amidst small stars not only among the Italians but all the painters of the world".
During his long life, Titian's artistic manner changed drastically, but he retained a lifelong interest in colour. Although his mature works may not contain the vivid, luminous tints of his early pieces, they are remarkable and original in their loose brushwork and subtlety of tone.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Michelangeloeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Giorgioneeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Giovanni Bellinieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Gentile Bellinieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Raphaeleditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Albrecht Dürereditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
Later influence
- Andrea Schiavoneeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Alexander Goudieeditorial inference
Evidence
The cited biography explicitly attributes artistic influence or inspiration to the named painter(s); retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- William Dobsoneditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Hermann Nitscheditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- John Singer Sargenteditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Caravaggioeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Tintorettoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Edgar Degaseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Palma Vecchioeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Diego Velázquezeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Claudio Coelloeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Rembrandt van Rijneditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Palma il Giovaneeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Thomas Coutureeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Ariel Agemianeditorial inference
Evidence
Reviewed the named influence and direction in the source passage. Explicit secondary-source assertion; independent historical verification remains pending.
- Chris Ofilieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Nicolas Poussineditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Joshua Reynoldseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Peter Paul Rubenseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Michael Damaskinoseditorial inference
Evidence
The biography explicitly names the listed painter(s) as an influence; retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- Anthony van Dyckeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Anton Raphael Mengseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Tintorettodocumented
Evidence
The museum describes Tintoretto combining Titian’s colour with Michelangelo’s muscular figures. The cited museum text was read and supports this relationship.
- Francis Baconeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Jacopo Bassanoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Alessandro Varotarieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Giovanni Boldinieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- El Grecodocumented
Evidence
The Met identifies Titian’s influence in the space, brushwork and lighting of El Greco’s Purification of the Temple (circa 1570). The cited museum text was read and supports this relationship.
- Anatol Petrytskyeditorial inference
Evidence
The biography identifies Titian as an artistic influence on Anatol Petrytsky. The biography identifies Titian as an inspiration for the young Petrytskyi. Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Finding recorded artworks…
Museums & collections
Documented holdings of works attributed to Titian. Check the museum’s record for current display information.
- Museo Nacional del Prado39 recorded works
- Kunsthistorisches Museum, Gemäldegalerie16 recorded works
- National Gallery8 recorded works
- National Gallery of Art8 recorded works
- The Metropolitan Museum of Art6 recorded works
- Hermitage Museum2 recorded works
- Museo Nacional Thyssen-Bornemisza2 recorded works
- Uffizi Galleries2 recorded works
- Academy of Fine Arts Vienna1 recorded work
- Alte Pinakothek — Bayerische Staatsgemäldesammlungen1 recorded work
- Galleria Borghese1 recorded work
- Musée du Louvre1 recorded work
Sources 8
- Wikidata (CC0)
- Austrian museum collections: independent authority research
- National Gallery of Art
- Painter cultural affiliation distinguished from recorded birthplace
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Austrian museum collections: independent authority research
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
Art, literature & history