Raphael
1483–1520

Selected artwork
Studies of a Seated Female, Child's Head, and Three Studies of a Baby
c. 1507–8
The Cleveland Museum of Art
Other names (4)
Rafael Sanzio, Raffaello Sanzio da Urbino, Raffale Sanzio, Santi Raphael
Biography
Raffaello Sanzio da Urbino (Italian: [raffaˈɛllo ˈsantsjo da urˈbiːno]; March 28 or 6 April 1483 – 6 April 1520), now generally known in English as Raphael (UK: RAF-ay-əl, US: RAF-ee-əl, RAY-fee-, RAH-fy-EL), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period.
His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at the Vatican.
He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was still at the height of his powers at his death in 1520.
Raphael was enormously productive, running an unusually large workshop and, despite his early death at 37, leaving a large body of work. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two popes and their close associates.
Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome, much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking.
After his death, the influence of his great rival Michelangelo exceeded his until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. Thanks to the influence of art historian Johann Joachim Winckelmann, his work became a formative influence on Neoclassical painting, but his techniques would later be explicitly and emphatically rejected by groups such as the Pre-Raphaelite Brotherhood.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Pietro Peruginoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Paolo Uccelloeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Hans Memlingeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Michelangeloeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Giovanni Santieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Albrecht Dürereditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Luca Signorellieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Timoteo Vitieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
Later influence
- Paul Gauguineditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Andrea Appianieditorial inference
Evidence
The cited biography explicitly attributes artistic influence or inspiration to the named painter(s); retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- Pompeo Batonieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Annibale Carraccieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Jean-Auguste-Dominique Ingreseditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Anton Raphael Mengseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Élisabeth Vigée Le Bruneditorial inference
Evidence
The biography explicitly names the listed painter(s) as an influence; retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- Nicolas Poussineditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Francisco Pachecoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Giovanni Battista Salvi da Sassoferratoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Andrea Sacchieditorial inference
Evidence
The cited biography explicitly attributes artistic influence or inspiration to the named painter(s); retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- Cherubino Albertieditorial inference
Evidence
Reviewed the named influence and direction in the source passage. Explicit secondary-source assertion; independent historical verification remains pending.
- Guido Renieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Barbara Longhieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Bernard van Orleyeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Jacopo Bassanoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Giulio Romanoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Giorgio de Chiricoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Pierre-Auguste Renoireditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Edgar Degaseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Titianeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Bernardino Luinieditorial inference
Evidence
Reviewed the named influence and direction in the source passage. Explicit secondary-source assertion; independent historical verification remains pending.
- Andreas Friiseditorial inference
Evidence
The biography identifies Raphael as an artistic influence on Andreas Friis. The biography locates these inspirations during Friis's Paris study period. Explicit secondary-source assertion; independent historical verification remains pending.
- Francesco Franciaeditorial inference
Evidence
The biography identifies Raphael as an artistic influence on Francesco Francia. The passage places Perugino and Raphael's influence after 1505. Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Raphael. Check the museum’s record for current display information.
- National Gallery10 recorded works
- National Gallery of Art10 recorded works
- Musée du Louvre7 recorded works
- Museo Nacional del Prado5 recorded works
- The Metropolitan Museum of Art5 recorded works
- musée Condé — Chantilly3 recorded works
- Vatican Museums, Vatican2 recorded works
- Art Institute of Chicago1 recorded work
- Ashmolean Museum1 recorded work
- Galleria Borghese1 recorded work
- Gemäldegalerie Alte Meister1 recorded work
- Hermitage Museum1 recorded work
- Kunsthistorisches Museum, Gemäldegalerie1 recorded work
- Museo Nacional Thyssen-Bornemisza1 recorded work
- Palazzo Pitti — Galleria Palatina1 recorded work
- Pinacoteca di Brera1 recorded work
- The Cleveland Museum of Art1 recorded work
- Uffizi Galleries1 recorded work
Sources 10
- Wikidata (CC0)
- Austrian museum collections: independent authority research
- National Gallery of Art
- Museum authority country review
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Museum authority country review
- musée Condé — Chantilly
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Austrian museum collections: independent authority research
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
Art, literature & history