Apostle St. James the Greater
El Greco · 1606
El Greco: 1541–1614
Other names (62)
Domenico Greco, Domenico Greco Teotocópuli, Domenicos Theotocopoulis, Domenicos Theotocopoulos, Domenicos Theotocopuli, Domenicos Theotokópoulos, Domenico Tehocopopuli, Domenico Teoscopoli, Domenico Teotocopulo, Domenico Teotopopuli, Domenico Theocopoli, Domenico Theocopuli, Domenico Theopoli, Domenico Theoscopoli, Domenico Theotocopolo, Domenico Theotocopopulos, Domenico Theotocopouli, Doménico Theotocopoulis, Doménico Theotocopoulos, Domenico Theotocopuli, Domenico Theotocopulo, Domenico Theotocopuly, Domenico Theotokopoli, Domenico Theotokopolis, Domenico Theotokopoulos, Domenico Theotokopuli, Domenico Theotorotoli, Domenico Theotoskopoli, Domenikos Theotocopoulis, Domenikos Theotocopoulos, Doménikos Theotocópuli, Domenikos Theotokopolous, Domenikos Theotokopoulos, Doménikos Zeotokopoulos, Domeniko Theotokopoulos, Domingo de Theotocopuli, Domingo Greco, Domingo Teotocópul, Domingo Theotocópuli, Dominico Greco, Dominico Greco Teotocopuli, Dominico, Griego Theotocópuli, Dominico Theotocopuli, Dominikos Greco, Dom Thoepotuli, El Dominico, El Griego, Greco Domenicos Theotocopuli, Grego scolare di Titiano, Il Greco, Le Grec, Menegos Theotokopoulos, Tehocopopuli, Teoscopoli, Teotocopuli, Theocopoli, Theopoli, Theotocopoli, Theotocopuli, Theotokopoli, Theotokopolis, Δομήνικος Θεοτοκόπουλος (Doménikos Theotokópoulos)
Biography
Domenikos Theotokopoulos, known as El Greco, was born in Crete and developed a career across the eastern Mediterranean, Italy and Spain. Byzantine art formed an important part of his artistic background. In Venice he encountered the painting of Titian, Tintoretto and the Bassano family; in Rome he studied works by Michelangelo and Raphael. By 1577 he had settled in Toledo, where religious commissions and portraits became central to his practice. His distinctive use of colour, gesture and elongated figures gave familiar subjects an intense visual character. The works selected here include a city view, a portrait and religious scenes, connecting his different kinds of painting.
Reference biography
Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος, pronounced [ðoˈminikos θeotoˈkopulos]; 1 October 1541 – 7 April 1614), most widely known as El Greco (Spanish pronunciation: [el ˈɣɾeko]; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance, regarded as one of the greatest artists of all time. El Greco was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής (Krḗs), which means "Cretan" in Ancient Greek.
El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done. In 1570, he moved to Rome, where he opened a workshop and executed a series of works.
During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tintoretto and Titian. In 1577, he moved to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best-known paintings, such as View of Toledo and Opening of the Fifth Seal.
El Greco's dramatic and expressionistic style was met with puzzlement by his contemporaries but found appreciation by the 20th century. El Greco is regarded as a precursor of both Expressionism and Cubism, while his personality and works were a source of inspiration for poets and writers such as Rainer Maria Rilke and Nikos Kazantzakis. El Greco has been characterized by modern scholars as an artist so individual that he belongs to no conventional school. He is best known for tortuously elongated figures and often fantastic or phantasmagorical pigmentation, marrying Byzantine traditions with those of Western painting.
Although mostly ignored by his contemporaries, El Greco is considered one of the greatest painters in the history of art. Art critics have resolutely placed him among the best artists of all time, citing his originality, his power of expression, and his innovative use of form and colour. His works are seen as transcending and surpassing the artistic traditions from which they emerged and as having had a profound effect on generations of later artists, including Francisco Goya, Diego Velázquez, Eugène Delacroix, Édouard Manet, Salvador Dalí and Pablo Picasso, amongst many others.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Byzantine paintingscholarly consensus
Evidence
The National Gallery explicitly identifies Byzantine art as a formative influence on the Cretan-born painter, alongside his encounters with Italian painting.
- Titiandocumented
Evidence
The Met identifies Titian’s influence in the space, brushwork and lighting of El Greco’s Purification of the Temple (circa 1570). The cited museum text was read and supports this relationship.
- Tintorettodocumented
Evidence
The Met identifies Tintoretto’s influence in the space, brushwork and lighting of El Greco’s Purification of the Temple (circa 1570). The cited museum text was read and supports this relationship.
Later influence
- Francisco Pachecoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Franz Marceditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Jackson Pollockeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Édouard Maneteditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Paul Cézanneeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Pablo Picassoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- José Clemente Orozcoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Konstantinos Partheniseditorial inference
Evidence
The curator identifies El Greco's influence in Parthenis's individual mature idiom. The cited scholarly interpretation was read; it is not labelled a scholarly consensus.
- Roberto Montenegroeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Eugène Delacroixeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Austin Osman Spareeditorial inference
Evidence
Reviewed the named influence and direction in the source passage. Explicit secondary-source assertion; independent historical verification remains pending.
- Salvador Dalíeditorial inference
Evidence
The biography explicitly reports El Greco's influence on Salvador Dalí; the direction is outgoing from the biography subject. Explicit secondary-source assertion; independent historical verification remains pending.
- Diego Velázquezdocumented
Evidence
The Met states that Velázquez used El Greco’s portraits as models. The cited museum text was read and supports this relationship.
Artworks by year
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Museums & collections
Documented holdings of works attributed to El Greco. Check the museum’s record for current display information.
- Museo Nacional del Prado31 recorded works
- Museo del Greco8 recorded works
- The Metropolitan Museum of Art7 recorded works
- Museo Nacional Thyssen-Bornemisza3 recorded works
- National Gallery3 recorded works
- Museo de Bellas Artes de Bilbao2 recorded works
- National Gallery – Alexandros Soutsos Museum2 recorded works
- Scottish National Gallery2 recorded works
- Statens Museum for Kunst (SMK)2 recorded works
- The Cleveland Museum of Art2 recorded works
- Art Institute of Chicago1 recorded work
- Bilbao Fine Arts Museum, Bilbao, Spain1 recorded work
- Frick Collection, New York City, NY, US1 recorded work
- Galleria Estense1 recorded work
- Hispanic Society of America1 recorded work
- Historical Museum of Crete1 recorded work
- Montreal Museum of Fine Arts1 recorded work
- Musée du Louvre1 recorded work
- Museo Cerralbo, Madrid, Spain1 recorded work
- Museum of Fine Arts, Budapest1 recorded work
- National Gallery of Art1 recorded work
- National Museum Cardiff1 recorded work
- National Museum of Art of Romania1 recorded work
- Philadelphia Museum of Art1 recorded work
- Pushkin State Museum of Fine Arts1 recorded work
- Toledo Museum of Art1 recorded work
- Uffizi Galleries1 recorded work
- Walters Art Museum1 recorded work
Sources 14
- Wikidata (CC0)
- Spanish painters: selected museum and authority research
- National Gallery, London
- National Gallery, London
- Country research — museum-connected artworks and verified painter affiliations
- National Gallery, London
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- National Gallery, London
- SMK: exact creator authority reconciliation
- NGA: verified existing artist authorities
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Expanded artwork research — official museum evidence
- National Gallery, London
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
Art, literature & history