Masaccio
1401–1428

Selected artwork
The Virgin and Child
1426
National Gallery
Other names (23)
called da San Giovanni Thomaso Masaccio, called Masaccio Tomaso Guidi da S. Giovanni, Florentin Thomas Masaccio, Le Masaccio, Masalio, Massaccio, Massacio, Mazaccio, Mazachcho, Mazzacio, Mesaccio, Thomaso Masaccio, T. Maccio, Tomaso Masaccio, Tommaso di Giovanni di Simone Guidi, Tommaso Di Giovanni Di Simone Guidi Masaccio, Tommaso di Ser Giovanni di Mone, Tommaso di Ser Giovanni di Mone Cassai, Tommaso di ser Giovanni di Mone Guidi, Tommaso di Ser Giovanni di Simone, Tommaso Guidi, Tommaso Guidi Masaccio, Tommaso Guido
Biography
Masaccio (UK: , US: ; Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.
The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom").
Despite his brief career, he had a profound influence on other artists and is considered to have started the Early Italian Renaissance in painting with his works in the mid- and late-1420s. He was one of the first to use linear perspective in his painting, employing techniques such as vanishing point in art for the first time. He moved away from the International Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more naturalistic mode that employed perspective and chiaroscuro for greater realism.
Masaccio died at the age of twenty-six and little is known about the exact circumstances of his death. Upon hearing of Masaccio's death, Filippo Brunelleschi said: "We have suffered a great loss."
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Later influence
- Michelangeloeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Sandro Botticellieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Andrea del Castagnoeditorial inference
Evidence
The cited biography explicitly attributes artistic influence or inspiration to the named painter(s); retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- Domenico Venezianoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Leonardo da Vincieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Stefano di Giovannieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Filippo Lippieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Masaccio. Check the museum’s record for current display information.
- National Gallery2 recorded works
- J. Paul Getty Museum1 recorded work
- Lindenau museum1 recorded work
- Masaccio Museum (Cascia di Reggello), Reggello, Italy1 recorded work
- National Gallery of Art1 recorded work
- Staatliche Museen zu Berlin, Berlin, Germany1 recorded work
Art, literature & history