Yiannis Moralis

Influenced by

• Yannis Kefallenoseditorial inference
  Evidence

  Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.

  • Wikidata (CC0)
• Konstantinos Partheniseditorial inference
  Evidence

  Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.

  • Wikidata (CC0)
• Oumbertos Argyroseditorial inference
  Evidence

  Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.

  • Wikidata (CC0)
• Charles Guérindocumented
  Evidence

  Athens National Gallery records Moralis’s painting study in Paris under Charles Guérin. The cited museum text was read and supports this relationship. Teaching does not by itself establish artistic influence.

  • National Gallery, Athens
• Dimitrios Geraniotisdocumented
  Evidence

  Athens National Gallery records Moralis’s preparatory study in Athens under Dimitrios Geraniotis. The cited museum text was read and supports this relationship. Teaching does not by itself establish artistic influence.

  • National Gallery, Athens
• El Grecodocumented
  Evidence

  Moralis praises El Greco’s Saint Martin in recalling a Paris exhibition; admiration is kept separate from influence. The cited museum text was read and supports this relationship.

  • National Gallery, Athens
• Giorgio de Chiricodocumented
  Evidence

  Moralis identifies De Chirico’s influence on his woodcut for Cavafy’s Voices; this is a work-specific first-person account. The cited museum text was read and supports this relationship.

  • National Gallery, Athens
• Fotis Kontogloudocumented
  Evidence

  Moralis describes a temporary Byzantine/folk phase shaped by Kontoglou’s methods, learned through Tsarouchis; he later moved away from it. The cited museum text was read and supports this relationship.

  • National Gallery, Athens