Art, literature & historyMadonna col Bambino e San Giovannino (Madonna Bolognini)
Antonio da Correggio · 1514 ca. – 1519 ca.
Antonio da Correggio: 1489–1534
Other names (119)
a. a. correggio, a. allegri. correggio, A. Allegri Le Correge, A. Correge, A. Correggio, A. Corregio, a. de correggio, A. di Coreggio, A.L. dit le Correge, allegre antoine dit le correge, Allegri, Allégri, Antònio, allegri antonio gen. correggio, Allegri da Corregio, Allegris, Ant. All. Correggio, Ant. Corrège, Ant. da Carrigio, Anthoin Allegri, Anthony Correggio, Antoine Allegri dit Le Corrége, Antoine Correge, Antoine le Corrège, Antonio Allegri, antonio allegri. correggio, Antonio Allegri Corregio, Antonio Allegri da Correggio, Antonio Allegri detto Correggio, antonio allegri gen. coreggio, antonio allegri gen. correggio, antonio allegri gennant correggio, Antonio Allegri il Correggio, Antonio Allegris, Antonio Allegro Corregio, antonio cereço, Antonio Coreço, Antonio Coreggio, Antonio Correggio, Antonio Corregio, Antonio Corregio or de Allegris, Antonio da Coreggio, antonio da correggio allegri, Antonio da Corregio, Antonio da, eigentl. Antonio Allegri Correggio, antonio de alegri gen. correggio, Antonio de Allegris, antonio de carreggio, Antonio del Correggio, Antonio di Correggio, Antonio, gen. Correggio Allegri, Antonio gen. Corregio Allegri, Antonio Ligeri, Antonius Allegri genannt Corregio, Antonius Corregio, called Correggio Antonio Allegri, Called, Il Correggio Antonio Allegri, Called Il Corregio Antonio Allegri, Caregeo, Carraggio, Coragio, Corago, Coreçio, Coreco, Corege, Coreggi, Coreggio, Coregio, Coreg.o, Coreige, Corejo, Coresio, Coretto, Corezo, Corezzo, Corogio, Corrage, Corraggio, Correge, Correggi, Correggia, Correggio, correggio a. a., correggio a. allegri, correggio ant. allegri, correggio antonio da, Corregio, Corregion, Corrego, Correjio, correjo, Corriggio, Corrigio, Corugio, Couragio, detto il Correggio Antonio Ligeri, dit le Correge A. Allegri, dit Le Correge Ant. Alleg., dit le Correge Antoine Allegri, dit Le Correge Antoine de Allegris, dit le Correge Antonio Allegri, eigentlich antonio allegri correggio, el Corezo, genannt Corregio Anton Allegri, gen. antonio da correggio antonio allegri, gen. correggio allegri antonio, gen. Correggio Antonio Allegri, gen. correggio antonio allegro, gen. corregio antonio allegris, Il Correggio, Jacomo Corregio, Korregio, Laetus, Le Corege, Le Correge, Lieto, Loreço, Marco Antonio da Correggio, ou Lieto, surnommé Le Correge Antoine Allegri, surnommé Le Corrége Antoine Allégri ou Lieto
Biography
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also UK: , US: , Italian: [korˈreddʒo]), was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, and was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Leonardo da Vincieditorial inference
Evidence
Source describes Costa influence and stylistic responses to Mantegna and Leonardo; retained as secondary art-historical interpretation. Explicit secondary-source assertion; independent historical verification remains pending.
- Lorenzo Costaeditorial inference
Evidence
Source describes Costa influence and stylistic responses to Mantegna and Leonardo; retained as secondary art-historical interpretation. Explicit secondary-source assertion; independent historical verification remains pending.
- Andrea Mantegnaeditorial inference
Evidence
Source describes Costa influence and stylistic responses to Mantegna and Leonardo; retained as secondary art-historical interpretation. Explicit secondary-source assertion; independent historical verification remains pending.
- Francesco Bianchieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
Later influence
- Giovanni Battista Gaullieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Lavinia Fontanadocumented
Evidence
Identified as an influence in Fontana’s religious painting. The cited museum text was read and supports this relationship.
- Santerre Jean-Baptisteeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Anton Raphael Mengseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Andrea Appianieditorial inference
Evidence
The cited biography explicitly attributes artistic influence or inspiration to the named painter(s); retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- Charles de Steubeneditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Niccolò dell'Abbateeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Pietro Faccinieditorial inference
Evidence
The biography identifies Antonio da Correggio as an artistic influence on Pietro Faccini. The biography distinguishes Faccini's stylistic sources and Parmigianino's exaggerated forms. Explicit secondary-source assertion; independent historical verification remains pending.
- Prospero Fontanaeditorial inference
Evidence
The biography identifies Antonio da Correggio as an artistic influence on Prospero Fontana. The artistic-influences section states that Fontana looked to these painters' work. Explicit secondary-source assertion; independent historical verification remains pending.
- Giovanni Lanfrancoeditorial inference
Evidence
The biography identifies Antonio da Correggio as an artistic influence on Giovanni Lanfranco. Correggio's Parma Cathedral decoration explicitly influenced Lanfranco's dome painting. Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
Loading chronology…Museum / collectionAll collections
Finding recorded artworks…
Museums & collections
Documented holdings of works attributed to Antonio da Correggio. Check the museum’s record for current display information.
- The Metropolitan Museum of Art4 recorded works
- National Gallery of Art3 recorded works
- Art Institute of Chicago2 recorded works
- Museo Nacional del Prado2 recorded works
- Uffizi Galleries2 recorded works
- Kunsthistorisches Museum, Gemäldegalerie1 recorded work
- Raccolte Artistiche del Castello Sforzesco1 recorded work
Sources 9
- Wikidata (CC0)
- Austrian museum collections: independent authority research
- National Gallery of Art
- Museum authority country review
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Museum authority country review
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Austrian museum collections: independent authority research
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)