Giovanni Battista Gaulli
1639–1709

Selected artwork
St Agnes in Glory
ca. 1688-1691
Statens Museum for Kunst (SMK)
Other names (52)
Abbaciccio, Bacchio, Bacciccia, Bacciccia di Roma, Bacciccio, Bacciche, Baccici, Baccico, Bachiche, Bachichio, Bacicci, Baciccia, Baciccia di Roma, Baciccia il Baciccio, Baciccio Gauli, Bacici, Bacicio, Baptiste Gauli, Batista Bacici, Battista Gauli detto il Baciccia, detto Baciccio Gio: Battista Gauli, dit Le Bachiche Jean-Baptiste Gauli, dit le Bacici Jean-Baptiste Gauli, dit le Bacicio J. B. Gauli, eigentlich G. B. Gaulli Bacciccia, Gaulli, Gaulli Giovanni Battista. gen. Bacciccio, GAULLI Giovanni Battista "Il Baciccio", g. b. gaulli, genannt il Bacciccio Gaulli, gen. Bacciccio Gianbattista Gaulli, gen. il bacciccio gaulli, Gio: Batta Gauli detto il Baciccio, Gio. Batt.a Gaulli Genovese detto Baccichio, Gio: Battista Gauli detto il Baciccio, Gio. B. Gaulli, Giovan Battista Gaulli, Giovanni Batta Gauli, Giovanni Battista Baciccia, Giovanni Battista Bacicci Genovese, giovanni battista baciccio, Giovanni Battista Gauli, Giov. Batt. Gaulli, il Baciccio, Il Gaulli, Il Gaulli Baciccia, Le Bachiche, Le Bacicci, Le Bacici, Sr Gio Batta Gaulli detto il Baciccio, surnommé le Bachiche Gauli, surnommé le Bachiche Jean-Baptiste Gauli
Biography
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for Giovanni Battista), was an Italian Baroque painter working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome. His work was influenced by Gian Lorenzo Bernini.
Gaulli was born in Genoa, where his parents died from the plague of 1654. He initially apprenticed with Luciano Borzone. In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to both commercial and artistic enterprises from north European countries, including countries with non-Catholic populations such as England and the Dutch provinces. Painters such as Peter Paul Rubens and Anthony van Dyck stayed in Genoa for a few years. Gaulli's earliest influences would have come from an eclectic mix of these foreign painters and other local artists including Valerio Castello, Giovanni Benedetto Castiglione, and Bernardo Strozzi, whose warm palette Gaulli adopted. In the 1660s, he experimented with the cooler palette and linear style of Bolognese classicism.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Luciano Borzoneeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Peter Paul Rubenseditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Antonio da Correggioeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Anthony van Dyckeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Bernardo Strozzieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Giovanni Battista Gaulli. Check the museum’s record for current display information.
- The Metropolitan Museum of Art7 recorded works
- Art Institute of Chicago1 recorded work
- Fitzwilliam Museum1 recorded work
- musée des Augustins — Toulouse1 recorded work
- Musée du Louvre1 recorded work
- Statens Museum for Kunst (SMK)1 recorded work
- The Cleveland Museum of Art1 recorded work
- Uffizi Galleries1 recorded work
- Walters Art Museum1 recorded work
Art, literature & history