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1954
Howard University presented Exhibition of Negro Subjects in Washington, DC in 1954. The source’s historical exhibition title is retained. The documented selection includes pictorial subjects with the specific artists and media identified by the museum histories. Documented examples include Isac Friedlander’s Revival (1933; woodcut) and George Overbury (Pop) Hart’s Hut in Trinidad (c. 1917; watercolor over graphite). The reconstructed checklist is partial, and exact opening and closing days remain unverified.
Also recorded as: Exhibition of Negro Subjects, Howard University, Washington, DC
Images where available. Every entry keeps its exhibition evidence.
Exhibition entry · Image unavailable
Creators identified in exhibition research. Individual work records show the available evidence.
“Recorded as exhibited” follows an object’s exhibition history. “Listed in exhibition” follows a public artwork listing. Exhibition participation, ownership and present display are separate facts.
Source exhibition title and exact native object classification
