The Nazi regime organized this exhibition to stigmatize modern art and the artists associated with it. Works confiscated from German public collections were displayed in a deliberately defamatory setting. The Munich exhibition opened near the regime’s Great German Art Exhibition, making the two shows complementary instruments of exclusion and propaganda.
“Recorded as exhibited” follows an object’s exhibition history. “Listed in exhibition” follows a public artwork listing. Exhibition participation, ownership and present display are separate facts.
Owner-selected exhibitions; research includes every medium and participant.
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