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1930
Wildenstein Galleries presented La Nature Morte, from Chardin to the Abstract, in New York in 1930. The exhibition’s stated subject was still life; its documented paintings include flowers, tabletop arrangements and objects treated by artists working in different styles. Examples securely identified in the museum’s object histories are Henri Matisse’s Pot of Geraniums (1912; oil on linen) and Georges Braque’s Peonies (1926; oil on wood). The connected works form a partial checklist; exact opening and closing days are not established by this evidence.
Also recorded as: "La Nature Morte" from Chardin to the Abstract. Wildenstein Galleries, New York
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Creators identified in exhibition research. Individual work records show the available evidence.
“Recorded as exhibited” follows an object’s exhibition history. “Listed in exhibition” follows a public artwork listing. Exhibition participation, ownership and present display are separate facts.
Source exhibition title and exact native object classification
