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1958
The Ogunquit Museum presented Mary Cassatt’s color etchings and aquatints in 1958. The documented selection includes mother-and-child subjects and scenes of daily activity, with individual sheets linked through exact museum object histories. Exact surviving examples are Mary Cassatt’s The Bath (1890-1891; color drypoint, softground etching, and aquatint on Japanese paper) and Mary Cassatt’s The Letter (1890-1891; color drypoint, softground etching, and aquatint). This is a partial checklist reconstructed from the objects’ museum histories; precise opening and closing days remain unknown.
Also recorded as: Color Etchings and Aquatints by Mary Cassatt, Ogunquit Museum, ME
Images where available. Every entry keeps its exhibition evidence.
Creators identified in exhibition research. Individual work records show the available evidence.
“Recorded as exhibited” follows an object’s exhibition history. “Listed in exhibition” follows a public artwork listing. Exhibition participation, ownership and present display are separate facts.
Source exhibition title and exact native object classification