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14 Feb 2002 – 21 May 2002
Exhibition
New York
14 Feb 2002 – 21 May 2002
Robert Storr’s retrospective traced four decades of Richter’s painting, from photographs translated into blurred images to expansive abstraction. Approximately 180 paintings were assembled, including the fifteen-part cycle October 18, 1977. The exhibition set these different approaches beside one another, asking how a single painter could repeatedly reconsider the medium’s purposes and possibilities.
Images where available. Every entry keeps its exhibition evidence.
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Creators identified in exhibition research. Individual work records show the available evidence.
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