Portrait of a Lady
Rogier van der Weyden · c. 1460
Rogier van der Weyden: 1390–1464
Other names (28)
called Roger of Bruges Roger Vander Weyde, de Bruges, élève de Van Eyck Roger, maestro Roxier de flandes, Roger de Bruge, Roger de Bruges, Roger de la Pasture, Roger van der Weyden, roger v. d. weyden, Rogier, Rogier de Bruges, Rogier De Brugge, Rogier de la Pasture, Rogier De La Pasture Weyden, Rogier de Le Pasture, Rogiers de Bruxelles, Rogiers of Brussels, Rogier van Brugge, Rogier Van der Weyden, rogier van weyden, Rogir Fan der Veĭden, rog. v. d. weyden, Ruxier, r. van der weyden, Van der Weyde, Van der Weyden, van de weyden roger, v/d weyden, Weyden
Biography
Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dər ˈʋɛidə(n)]; 1399 or 1400 – 18 June 1464), initially Roger de la Pasture (French: [ʁɔʒe d(ə) la pastyʁ]), was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Burgundian nobility, and foreign aristocrats.
By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the 200 years that followed; today he is known, with Robert Campin and Van Eyck, as the third (by birth date) of the three great Early Netherlandish artists (Vlaamse Primitieven or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century.
Very few details of Van der Weyden's life are known. The few facts we know come from fragmentary civic records. Yet the attribution of paintings now associated to him is widely accepted, partly on the basis of circumstantial evidence, but primarily on the stylistic evidence of a number of paintings by an innovative master.
Van der Weyden worked from life models, and details were closely observed. Yet he often idealised certain elements of his models' facial features, who were typically statuesque, especially in his triptychs. All of his forms are rendered with rich, warm colourisation and a sympathetic expression, while he is known for his expressive pathos and naturalism. His portraits tend to be half length and half profile, and he is as sympathetic here as in his religious triptychs. Van der Weyden used an unusually broad range of colours and varied tones; in his finest work the same tone is not repeated in any other area of the canvas, so even the whites are varied.
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Influenced by
- Stefan Lochnereditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Robert Campineditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Jan van Eyckeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
Later influence
- Enguerrand Quartoneditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Albrecht Dürereditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Martin Schongauereditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Caspar Isenmanneditorial inference
Evidence
Reviewed the named influence and direction in the source passage. Explicit secondary-source assertion; independent historical verification remains pending.
- Hans Memlingeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Hans Memlingeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Antonello da Messinaeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Rogier van der Weyden. Check the museum’s record for current display information.
- Gemäldegalerie Berlin2 recorded works
- Gemäldegalerie, Staatliche Museen zu Berlin2 recorded works
- Kunsthistorisches Museum, Gemäldegalerie2 recorded works
- Museo Nacional del Prado2 recorded works
- National Gallery2 recorded works
- National Gallery of Art2 recorded works
- Galleria Sabauda1 recorded work
- J. Paul Getty Museum1 recorded work
- Musée du Louvre1 recorded work
- The Courtauld Gallery1 recorded work
- The Metropolitan Museum of Art1 recorded work
Art, literature & history