Piero di Cosimo
1462–1522

Selected artwork
A Hunting Scene
ca. 1494–1500
The Metropolitan Museum of Art
Other names (4)
Piero da Cosimo, Piero di Lorenzo, Piero di Lorenzo di Piero d'Antonio, Pietro da Cosimo
Biography
Piero di Cosimo (2 January 1462 – 12 April 1522), also known as Piero di Lorenzo, was an Italian Renaissance painter, who continued to use an essentially Early Renaissance style into the 16th century.
He is most famous for the mythological and allegorical subjects he painted in the late Quattrocento; he is said to have abandoned these to return to religious subjects under the influence of Savonarola, the preacher who exercised a huge sway in Florence in the 1490s, and had a similar effect on Botticelli. The High Renaissance style of the new century had little influence on him, and he retained the straightforward realism of his figures, which combines with an often whimsical treatment of his subjects to create the distinctive mood of his works.
Vasari has many stories of his eccentricity, and the mythological subjects have an individual and quirky fascination. He trained under Cosimo Rosselli, whose daughter he married, and assisted him in his Sistine Chapel frescos.
He was also influenced by Early Netherlandish painting, and busy landscapes feature in many works, often forests seen close at hand. Several of his most striking secular works are in the long "landscape" format used for paintings inset into cassone wedding chests or spalliera headboards or panelling. He was apparently famous for designing the temporary decorations for Carnival and other festivities.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Cosimo Rossellieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
Later influence
- Andrea del Sartoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Fra Bartolomeoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Pontormoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Fra Bartolomeoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Giuliano Bugiardinieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Mariotto Albertinellieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Piero di Cosimo. Check the museum’s record for current display information.
- National Gallery of Art3 recorded works
- The Metropolitan Museum of Art3 recorded works
- Rijksmuseum2 recorded works
- Art Institute of Chicago1 recorded work
- Dulwich Picture Gallery1 recorded work
- musée Condé — Chantilly1 recorded work
- National Gallery1 recorded work
Art, literature & history