Fra Bartolomeo
1472–1517

Selected artwork
Farmhouse on the Slope of a Hill
c. 1508
The Cleveland Museum of Art
Other names (2)
Baccio della Porto, Fra Bartolommeo
Biography
Fra Bartolomeo or Bartolommeo (UK: , US: , Italian: [bartolo(m)ˈmɛːo]; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di San Marco, Bartolomeo di Paolo di Jacopo del Fattorino, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome.
He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints.
He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his Vision of St Bernard of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revelation". He remained friends with Raphael, and each influenced the other.
His portrait of Savonarola remains the best known image of the reformer. Fra Bartolomeo painted both in oils and fresco, and some of his drawings are pure landscape sketches that are the earliest of this type from any Italian artist.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Cosimo Rossellieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Piero di Cosimoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Piero di Cosimoeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Domenico Ghirlandaioeditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
- Filippo Lippieditorial inference
Evidence
Explicit secondary-source assertion; independent historical verification remains pending.
Later influence
- Ridolfo Ghirlandaioeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Andrea del Sartoeditorial inference
Evidence
The cited biography explicitly attributes artistic influence or inspiration to the named painter(s); retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Fra Bartolomeo. Check the museum’s record for current display information.
- The Metropolitan Museum of Art5 recorded works
- National Gallery of Art4 recorded works
- Art Institute of Chicago3 recorded works
- Palazzo Pitti2 recorded works
- Alte Pinakothek — Bayerische Staatsgemäldesammlungen1 recorded work
- Galleria Borghese1 recorded work
- Musée de Grenoble1 recorded work
- musée des beaux-arts et d'archéologie — Besançon1 recorded work
- The Cleveland Museum of Art1 recorded work
- Uffizi Galleries1 recorded work
Art, literature & history