Art, literature & historyThe Penance of Saint John Chrysostom
Albrecht Dürer · ca. 1496
Albrecht Dürer: 1471–1528
Other names (61)
A.B. Duur, A Durer, A. Durerus, A. Duri, A. Durre, A. Dürrer, A. Duru, A. Duur, A. Duurer, Aelbert Duur, Aelbregt Duur, Alb. Düren, Alb. Durer, Alb. Duro, Alb. Durrer, Alberdure, Alber Dure, Alberdurer, Alberdures, Albero Duro, Albert Daret, Albert Drurer, Albert Duer, Albert Duerer, Albert Dúr, Albert Dura, Albert Dure, Albert Dürer, Albert Duur, Albert-Duver, Albert Duyrer, Alberto de Dura, Alberto Dura, Alberto Duredo, Alberto Durer, Alberto Durero, Alberto Dureroe, Alberto Duri, Alberto Duro, Albertto duro, Albertus Durer, Albertus Durerus, Albert van Dürer, Albr. Dürer, Albrecht Djurer, Albrecht Duerer, Albrecht Düren, Albrecht DurerDura, Albrecht Dürrer, Albrecht Dyrer, Albrecht Dyura, Albrecht Türer, Albrehts Dīrers, Albrekht Diurer, Aldrecht Durer, Al. Durer, Alverto Dureño, Dürer, Durer. Albert, Dürer Albr., durer albrecht
Biography
Albrecht Dürer ( DURE-ər, German: [ˈalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528), sometimes spelled in English as Durer or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I.
Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are stylistically more Gothic than the rest of his work, but revolutionised the potential of that medium, while his extraordinary handling of the burin expanded especially the tonal range of his engravings.
Dürer's introduction of classical motifs and of the nude into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics for linear perspective and body proportions.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Rogier van der Weydeneditorial inference
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Explicit secondary-source assertion; independent historical verification remains pending.
- Giovanni Bellinieditorial inference
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- Jacopo de' Barbarieditorial inference
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Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Michael Wolgemuteditorial inference
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Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Albrecht Dürer the Eldereditorial inference
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Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Michael Wolgemuteditorial inference
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Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Andrea Mantegnaeditorial inference
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Later influence
- Jacopo Bassanoeditorial inference
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- Hilaire Camilleeditorial inference
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Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Wilhelm von Kaulbacheditorial inference
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- James Tissoteditorial inference
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- Francisco Goyaeditorial inference
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- Konstantin Bogaevskyeditorial inference
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The biography explicitly names the listed painter(s) as an influence; retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- Benedetto Montagnaeditorial inference
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Reviewed the named influence and direction in the source passage. Explicit secondary-source assertion; independent historical verification remains pending.
- Bernard van Orleyeditorial inference
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- Jakob Elsnereditorial inference
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Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Parmigianinoeditorial inference
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- Alberto Martinieditorial inference
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The cited biography explicitly attributes artistic influence or inspiration to the named painter(s); retained as a secondary-source assertion. Explicit secondary-source assertion; independent historical verification remains pending.
- Raphaeleditorial inference
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- M.C. Eschereditorial inference
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Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
- Hans Hoffmanneditorial inference
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- Hans Baldungeditorial inference
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Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Giovanni Battista Salvi da Sassoferratoeditorial inference
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- Augustin Hirschvogeleditorial inference
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Reviewed the named influence and direction in the source passage. Explicit secondary-source assertion; independent historical verification remains pending.
- Titianeditorial inference
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- Jun'ichiro Sekinoeditorial inference
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Read the named influence and its direction; broader schools are not converted to individuals. Explicit secondary-source assertion; independent historical verification remains pending.
- Bartolomeo Venetoeditorial inference
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- Ernst Fuchseditorial inference
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The biography identifies Albrecht Dürer as an artistic influence on Ernst Fuchs (artist). The passage distinguishes modern stylistic influences from the Old Masters whose lighting effects motivated his mixed painting technique. Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Albrecht Dürer. Check the museum’s record for current display information.
- The Metropolitan Museum of Art542 recorded works
- Statens Museum for Kunst (SMK)396 recorded works
- National Gallery of Art322 recorded works
- The Cleveland Museum of Art224 recorded works
- Minneapolis Institute of Art148 recorded works
- Art Institute of Chicago82 recorded works
- musée d'art et d'histoire — Belfort24 recorded works
- musée Condé — Chantilly20 recorded works
- Alte Pinakothek — Bayerische Staatsgemäldesammlungen7 recorded works
- musée d'Unterlinden — Colmar6 recorded works
- musée des beaux-arts — Rennes5 recorded works
- Museo Nacional del Prado4 recorded works
- Albertina3 recorded works
- Germanisches Nationalmuseum3 recorded works
- Kunsthistorisches Museum, Gemäldegalerie3 recorded works
- Musée du Louvre3 recorded works
- musée des beaux-arts et d'archéologie — Besançon2 recorded works
- Accademia Carrara1 recorded work
- Bavarian State Painting Collections, Munich, Germany1 recorded work
- British Museum1 recorded work
- musée Danicourt — Péronne1 recorded work
- musée de la faïence Frédéric Blandin — Nevers1 recorded work
- musée des beaux-arts — Caen1 recorded work
- musée eucharistique du Hiéron — Paray-le-Monial1 recorded work
- musée Grobet-Labadié — Marseille1 recorded work
- National Gallery1 recorded work
- National Museum in Warsaw1 recorded work
- Staatsgalerie in der Katharinenkirche Augsburg1 recorded work
- Städel Museum1 recorded work
Sources 12
- Wikidata (CC0)
- Austrian museum collections: independent authority research
- National Gallery of Art
- Museum authority country review
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Museum authority country review
- SMK: exact creator authority reconciliation
- Polish museum and gallery creator authorities
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Austrian museum collections: independent authority research
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Louvre painter identity and WikiArt profile links
