
Plate six, from A Harlot's Progress
1732
- Dating
- Exact year
- Held at
- Art Institute of Chicago
- Medium
- Engraving in black on ivory laid paper
- Dimensions
- Image: 30.2 × 37.9 cm (11 15/16 × 14 15/16 in.); Plate: 31.9 × 38.8 cm (12 9/16 × 15 5/16 in.); Sheet: 43.7 × 53.5 cm (17 1/4 × 21 1/8 in.)
- Collection no.
- 2015.216.6
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
William Hogarth. Plate six, from A Harlot's Progress, 1732. Inventory 2015.216.6. William Hogarth; Art Institute of Chicago. Collection credit: The Amanda S. Johnson and Marion J. Livingston Fund. CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/). https://www.artic.edu/artworks/228988. Full-frame proportional resize and JPEG compression.
Collection: Art Institute of Chicago
About this artwork
Plate six, from A Harlot's Progress — William Hogarth. 1732.
Medium: Engraving in black on ivory laid paper. Dimensions: Image: 30.2 × 37.9 cm (11 15/16 × 14 15/16 in.); Plate: 31.9 × 38.8 cm (12 9/16 × 15 5/16 in.); Sheet: 43.7 × 53.5 cm (17 1/4 × 21 1/8 in.).
Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.
Having expired at a young age from venereal disease, Hogarth’s harlot does not appear in the final plate of the series. She is represented by her coffin, which serves mainly as a bar. The drunkenly distraught figure at the lower right may be Moll’s former madam, but otherwise the company at the wake appears mostly unaffected by the death. One woman tries on a bonnet, likely Moll’s, before a mirror, while a parson gropes a prostitute and spills his drink.
Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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