Turkish Cavalier in Combat — Théodore Géricault

Théodore Géricault

Turkish Cavalier in Combat

c. 1818

Dating
Approximate date range
Held at
Art Institute of Chicago
Medium
Brush and brown wash, heightened with white gouache over black chalk, with blue wash on brown laid paper
Dimensions
28 × 22 cm (11 1/16 × 8 11/16 in.)
Collection no.
1994.178
Attribution
By the artist
Image rights
CC0 1.0License details

Théodore Géricault. Turkish Cavalier in Combat. Art Institute of Chicago. CC0 1.0. Compressed full-frame reproduction.

Collection: Art Institute of Chicago

About this artwork

Turkish Cavalier in Combat — Théodore Géricault. c. 1818.

Medium: Brush and brown wash, heightened with white gouache over black chalk, with blue wash on brown laid paper. Dimensions: 28 × 22 cm (11 1/16 × 8 11/16 in.).

Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.

Soldiers and horses were among Géricault’s favorite subjects, symbolizing energy, emotion, and individuality. In its laser-like focus on one cavalry soldier and his charging horse in the heat of battle, this drawing’s romantic intensity departs radically from the Classical restraint of many works of the period. Géricault exoticized his horseman, giving him African features and clothing him in the garb of an Ottoman mamluk, a caste of Muslim slave soldiers who fought for their indepe-dence in Egypt in the early 1800s. The artist was politically progressive for his time and championed the cause of liberty with this image. However, mamluks were most often of Turkic, Coptic, or Circassian descent, and Géricault’s depiction may not have been historically accurate.

Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.

Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.

Location checked Sep 10, 2026. This does not indicate whether the work is on display.

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