Family Portrait, Minerva, Amilcare and Asdrubale Anguissola
Sofonisba Anguissola · 1557
Sofonisba Anguissola: 1535–1625
Other names (51)
Anguisciola, Anguisciola Sophonisba, Anguisola, Anguissola, Angusciola, Lomellino Sofonisba Angosciola, Lomellino Sofonisba Anguisciola, Lomellino Sofonisba Anguissola, Lomellino Sofonisba Angussola, Moncada Angosciola toledo, Moncada Anguisciola, Moncada Anguissola, Moncada Angussola, S. Anguisciola, S. Angusciola, Sifonisba, Sifonisma Angosciola, Sinfonisba, Sinfonisba Anguissola, So. Angusiola, Sofenisma Angisolu, soffonisba, Soffonisba Anguissola, soffonisma, Soffonisma Anguissola, Sofonisba, Sofonisba Angosciola, Sofonisba Anguisciola, Sofonisba Angussola, Sofonisba de Moncada, Sofonisba Lomellino, Sofonisbe Anguissola, Sofonisha Anguisciola, sofonisma, Sofonisma Anguissola, solonisba da Cremona discepola de'Campi, Soph Anguischiola, Soph. Anguisciola, Sophon. Anguisciola, Sophonisba, Sophonisba Angosciola, Sophonisba Angosciola-Lomellini, Sophonisba Anguisciola, Sophonisba Anguiscola, Sophonisba Anguissola, Sophonisba Angusciola, Sophonisbes Anguisola villagran, Sophonismo Anguisciola, Suffonisba Anguisciola, suffonisba Anguissola, სოფონისბა ანგისოლა
Biography
Sofonisba Anguissola (also Sophonisba Angussola or Anguisciola; c. 1532 – 16 November 1629) was an Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola travelled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted Fernando Álvarez de Toledo, 3rd Duke of Alba.
The Spanish queen, Elizabeth of Valois, was a keen amateur painter, and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. After the Queen's death, Philip helped arrange an aristocratic marriage for her. She moved to Sicily, and later Pisa and Genoa, where she continued to practice as a leading portrait painter.
Her most distinctive and attractive paintings are her portraits of herself and her family, which she painted before she moved to the Spanish court. In particular, her depictions of children were fresh and closely observed. At the Spanish court, she painted formal state portraits in the prevailing official style. Later in her life she also painted religious subjects, although many of her religious paintings have been lost. In 1629, she died at age 97 in Palermo.
Anguissola's example, as much as her oeuvre, had a lasting influence on subsequent generations of artists, and her great success opened the way for larger numbers of women to pursue serious careers as artists. Her paintings can be seen at galleries in Boston (Isabella Stewart Gardner Museum), Milwaukee (Milwaukee Art Museum), Bergamo, Brescia, Budapest, Poznań, Madrid (Museo del Prado), Warsaw, Naples, and Siena, and at the Uffizi Gallery in Florence.
Her contemporary Giorgio Vasari wrote that Anguissola "has shown greater application and better grace than any other woman of our age in her endeavours at drawing; she has thus succeeded not only in drawing, colouring and painting from nature, and copying excellently from others, but by herself has created rare and very beautiful paintings."
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Influenced by
- Luca Cambiasodocumented
Evidence
Anguissola’s Genoese religious paintings repeat his formulas and models. The cited museum text was read and supports this relationship.
- Bernardino Campidocumented
Evidence
His paintings supplied models for Anguissola’s early religious compositions. The cited museum text was read and supports this relationship.
- Bernardino Gattidocumented
Evidence
Named as a teacher during Anguissola’s Cremona training. The cited museum text was read and supports this relationship. Teaching is recorded separately and does not itself establish artistic influence.
- Camillo Boccaccinodocumented
Evidence
Named among models for Anguissola’s early religious paintings. The cited museum text was read and supports this relationship.
- Bernardino Gattidocumented
Evidence
His paintings supplied models for Anguissola’s early religious compositions. The cited museum text was read and supports this relationship.
- Bernardino Campidocumented
Evidence
Named as a teacher during Anguissola’s Cremona training. The cited museum text was read and supports this relationship. Teaching is recorded separately and does not itself establish artistic influence.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Sofonisba Anguissola. Check the museum’s record for current display information.
- Pinacoteca di Brera2 recorded works
- Accademia Carrara1 recorded work
- Gemäldegalerie, Staatliche Museen zu Berlin1 recorded work
- Isabella Stewart Gardner Museum1 recorded work
- Musei Civici di Arte e Storia1 recorded work
- National Gallery of Ireland1 recorded work
- National Museum, Poznań, Poland1 recorded work
- San Diego Museum of Art1 recorded work
- Southampton City Art Gallery1 recorded work
- The Nivaagaard Collection1 recorded work
Art, literature & history