
The Meeting of Christ with Martha and Mary after the Death of Lazarus
c. 1662–65
- Dating
- Approximate date range
- Held at
- The Cleveland Museum of Art
- Medium
- reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)
- Dimensions
- Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)
- Collection no.
- 1962.116
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Rembrandt van Rijn. The Meeting of Christ with Martha and Mary after the Death of Lazarus. The Cleveland Museum of Art. CC0 1.0. Compressed full-frame reproduction.
Collection: The Cleveland Museum of Art
About this artwork
The Meeting of Christ with Martha and Mary after the Death of Lazarus — Rembrandt van Rijn. c. 1662–65.
Medium: reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures). Dimensions: Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.).
Collection record: The Cleveland Museum of Art, Cleveland. Museum connection according to this source; current display unverified.
Scholars now consider this drawing a rare, late work by Rembrandt. Here, Christ meets with Martha and Mary after the death of their brother, Lazarus (John 11:30–36). The composed dignity of Christ's face and his calm compassion contrast with the prostrate figure of Mary and the agitated drawing of the kneeling Martha, whose outstretched hands are repeated three times, suggesting a frenzied expressivity. Above Martha, white gouache obliterates the figure of a standing man as well as a first version of Martha's head. The combination of rough power and sublime tenderness that characterizes Rembrandt's late drawing style is here demonstrated in the dramatic rendering of the sisters' grief and the sensitive portrayal of the bearded old man who dries his eyes with a kerchief at the right.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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