
The Blindness of Tobit: The Large Plate
1651
- Dating
- Exact year
- Held at
- The Cleveland Museum of Art
- Medium
- etching and drypoint
- Dimensions
- Sheet: 16.3 x 13.2 cm (6 7/16 x 5 3/16 in.); Platemark: 15.8 x 12.9 cm (6 1/4 x 5 1/16 in.)
- Collection no.
- 2002.10
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Rembrandt van Rijn. The Blindness of Tobit: The Large Plate. The Cleveland Museum of Art. CC0 1.0. Compressed full-frame reproduction.
Collection: The Cleveland Museum of Art
About this artwork
The Blindness of Tobit: The Large Plate — Rembrandt van Rijn. 1651.
Medium: etching and drypoint. Dimensions: Sheet: 16.3 x 13.2 cm (6 7/16 x 5 3/16 in.); Platemark: 15.8 x 12.9 cm (6 1/4 x 5 1/16 in.).
Collection record: The Cleveland Museum of Art, Cleveland. Museum connection according to this source; current display unverified.
Having sent Tobias to collect a debt, a blind Tobit knocks over his wife’s spinning wheel and gropes for the door in his excitement to see his long-absent son. Rembrandt selectively inked and wiped the plate of this beautiful impression to enhance the scene’s meaning. The dark ink left behind the figure accentuates Tobit’s isolation and makes his beard-the only area of the print without any ink-seem even brighter, dramatizing the father’s anguished expression. Tobit’s shadow is cast by the firelight onto the wall to the far left of the doorway, symbolizing how far he has strayed from his goal and the poignancy of his condition.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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