
Portrait of a Man with a Pink
1500–10
- Dating
- Date range
- Held at
- Art Institute of Chicago
- Medium
- Oil on panel
- Dimensions
- 43.8 × 29.2 cm (17 1/4 × 11 1/2 in.); Framed: 51.8 × 36.9 × 4.5 cm (20 3/8 × 14 1/2 × 1 3/4 in.)
- Collection no.
- 1894.1025
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Quentin Matsys. Portrait of a Man with a Pink. Art Institute of Chicago. CC0 1.0. Compressed full-frame reproduction.
Collection: Art Institute of Chicago
About this artwork
Portrait of a Man with a Pink — Quentin Matsys. 1500–10.
Medium: Oil on panel. Dimensions: 43.8 × 29.2 cm (17 1/4 × 11 1/2 in.); Framed: 51.8 × 36.9 × 4.5 cm (20 3/8 × 14 1/2 × 1 3/4 in.).
Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.
In this portrait from relatively early in his career, Quentin Massys followed stylistic conventions that appealed to Antwerp’s growing market of patrons while also exhibiting the bold innovations that ultimately made him one of city’s most influential painters. The sitter appears frozen in a somewhat unnatural pose, as was the fashion for half-length portraits at the time, and the positioning of his left hand on the painting’s lower edge recalls the spatial illusionism found in portraits by Netherlandish artists of the previous generation. However, the subtle modeling of the face conveys a strong sense of the sitter’s individual character at a time when such works tended to idealize their subjects. The pink, or carnation, held by the sitter could symbolize marriage or Jesus Christ’s incarnation.
Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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