Mount Athos Carved as a Monument to Alexander the Great — Pierre-Henri de Valenciennes

Pierre-Henri de Valenciennes

Mount Athos Carved as a Monument to Alexander the Great

1796

Dating
Exact year
Held at
Art Institute of Chicago
Medium
Oil on canvas
Dimensions
41.9 × 91.4 cm (16 1/2 × 36 in.); Framed: 58.5 × 108.3 cm (23 × 42 5/8 in.)
Collection no.
1983.36
Attribution
By the artist
Image rights
CC0 1.0License details

Pierre-Henri de Valenciennes. Mount Athos Carved as a Monument to Alexander the Great. Art Institute of Chicago. CC0 1.0. Compressed full-frame reproduction.

Collection: Art Institute of Chicago

About this artwork

Mount Athos Carved as a Monument to Alexander the Great — Pierre-Henri de Valenciennes. 1796.

Medium: Oil on canvas. Dimensions: 41.9 × 91.4 cm (16 1/2 × 36 in.); Framed: 58.5 × 108.3 cm (23 × 42 5/8 in.).

Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.

Pierre-Henri de Valenciennes, a leading landscape artist in late-18th-century France, sought to elevate the art of landscape to the level of history painting. In the hierarchy of subjects set by the French artistic establishment, the painting of inspiring religious and historical narratives was placed higher than the imitation of nature. Valenciennes followed the 17th-century precedent of Nicolas Poussin by imbuing his landscapes with moral content. This work and its companion, Alexander at the Tomb of Cyrus the Great , address questions of fame and mortality through episodes from the life of Alexander the Great (356–323 B.C.). Here Valenciennes depicted an unrealized project to perpetuate Alexander’s glory—a monumental image of the ruler carved into Mount Athos.

Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.

Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.

Location checked Sep 10, 2026. This does not indicate whether the work is on display.

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