Mahana no atua (Day of the God)

Mahana no atua (Day of the God) — Paul Gauguin. 1894.

Medium: Oil on linen canvas. Dimensions: 68 × 91 cm (26 7/8 × 36 in.); Framed: 87.7 × 110.5 × 6.4 cm (34 1/2 × 43 1/2 × 2 1/2 in.).

Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.

In this tropical paradise of the artist’s invention, a deity presides over figures walking and resting on an embankment. Rhythmically arranged in groups of two and three, the figures appear more as symbolic forms than as portraits of individuals. Pools of water in interlocking, abstract zones of acidic color surround the feet of a bather, who is flanked by two prone figures—or perhaps the same person seen from two angles. Unlike his other Tahitian-inspired landscapes, this painting was produced in Paris shortly after Paul Gauguin’s first trip to the island. Drawn from fantasy and memory, the psychedelic composition is one of the most abstract and avant-garde works of the artist’s career.

Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.

Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.