
Glaucus and Nydia
1867
- Dating
- Exact year
- Held at
- The Cleveland Museum of Art
- Medium
- oil on wood panel
- Dimensions
- Framed: 55.5 x 81 x 4.5 cm (21 7/8 x 31 7/8 x 1 3/4 in.); Unframed: 39 x 64.3 cm (15 3/8 x 25 5/16 in.)
- Collection no.
- 1977.128
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Lawrence Alma-Tadema. Glaucus and Nydia. The Cleveland Museum of Art. CC0 1.0. Compressed full-frame reproduction.
Collection: The Cleveland Museum of Art
About this artwork
Glaucus and Nydia — Lawrence Alma-Tadema. 1867.
Medium: oil on wood panel. Dimensions: Framed: 55.5 x 81 x 4.5 cm (21 7/8 x 31 7/8 x 1 3/4 in.); Unframed: 39 x 64.3 cm (15 3/8 x 25 5/16 in.).
Collection record: The Cleveland Museum of Art, Cleveland. Museum connection according to this source; current display unverified.
"It was one of the few moments in her brief and troubled life that it was sweet to treasure." Weaving a rose garland as a present for her beloved master Glaucus, the blind servant Nydia resists speaking of her love for him. The scene is based on Sir Edward Bulwer-Lytton's enormously popular historical novel The Last Days of Pompeii (published in 1835), a melodramatic epic set in ancient Roman times, which culminates with the eruption of Mount Vesuvius. Responding to the 19th-century appetite for things antique, the artist filled his historical scenes with depictions of Roman frescoes and statuary. Dutch by birth, Alma-Tadema made this picture in Brussels for a London art dealer. But the demand for such paintings became so great that he moved to England, where he achieved great financial and social success.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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