Kanō Eitoku
1543–1590

Selected artwork
Grape vines 葡萄図屏風
1568-1615
National Museum of Asian Art
Other names (6)
Eitoku, Eitoku Kanō, Genshiro Eitoku, Kano Eitoku, Kanou Eitoku, Kuninobu
Biography
Kanō Eitoku (狩野 永徳; Japanese pronunciation: [ka.noː (|) e(ꜜ)i.tokɯ, -e(ꜜ)ː-], February 16, 1543 – October 12, 1590) was a Japanese painter who lived during the Azuchi–Momoyama period of Japanese history and one of the most prominent patriarchs of the Kanō school of Japanese painting.
Born in Kyoto, Eitoku was the grandson of Kanō Motonobu(1476–1559), an official painter for the Ashikaga shogunate. He showed his talent for painting at an early age, and at the age of 10 he had an audience with the shōgun Ashikaga Yoshiteru alongside Motonobu.
While there are various theories regarding the exact years of creation, in his early twenties, he created two works that are now considered National Treasures: Rakuchū rakugai zu byōbu (洛中洛外図屏風, Views in and around Kyoto) and the fusuma (襖, sliding doors) paintings entitled Kachō zu fusuma (花鳥図襖, Birds and flowers of the four seasons) at Jukō-in, a subtemple of the Daitoku-ji Temple. At a young age, he had acquired skills equivalent to those of Kano Motonobu. He painted the Rakuchū rakugai zu in 1565 at the request of Ashikaga Yoshiteru.
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Influenced by
- Kanō Motonobueditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
Later influence
- Kano Sanrakueditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Kanō Eitoku. Check the museum’s record for current display information.
- National Museum of Asian Art2 recorded works
Art, literature & history