French Church Series No. 6: Bourges
1925
- Dating
- Exact year
- Held at
- The Cleveland Museum of Art
- Medium
- etching
- Dimensions
- Sheet: 42.8 x 26.3 cm (16 7/8 x 10 3/8 in.); Platemark: 35.6 x 23 cm (14 x 9 1/16 in.)
- Collection no.
- 2010.703
- Attribution
- By the artist
Collection: The Cleveland Museum of Art
About this artwork
French Church Series No. 6: Bourges — John Taylor Arms. 1925.
Medium: etching. Dimensions: Sheet: 42.8 x 26.3 cm (16 7/8 x 10 3/8 in.); Platemark: 35.6 x 23 cm (14 x 9 1/16 in.).
Collection record: The Cleveland Museum of Art, Cleveland. Museum connection according to this source; current display unverified.
Arms’s admiration for Gothic architecture was a reflection of a revival exemplified by the publication of John Ruskin’s 1951 book, The Stones of Venice. The influence of Gothic art spread to America where Ralph Adams Cram, an architect and writer active around the turn of the century, also vigorously supported the Gothic style as one of spirituality, honest design, and fine craftsmanship. In an era marked by increased modernization and urban growth, Cram celebrated pre-industrial values such as honesty, truth, and beauty, reflecting a nostalgia for a simpler, more sincere age.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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