Green and Blue: The Dancer — James Abbott McNeill Whistler

James Abbott McNeill Whistler

Green and Blue: The Dancer

c. 1893

Dating
Approximate date range
Held at
Art Institute of Chicago
Medium
Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card
Dimensions
27.5 × 18.3 cm (10 7/8 × 7 1/4 in.)
Collection no.
1988.219
Attribution
By the artist
Image rights
CC0 1.0License details

James Abbott McNeill Whistler. Green and Blue: The Dancer. Art Institute of Chicago. CC0 1.0. Compressed full-frame reproduction.

Collection: Art Institute of Chicago

About this artwork

Green and Blue: The Dancer — James Abbott McNeill Whistler. c. 1893.

Medium: Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card. Dimensions: 27.5 × 18.3 cm (10 7/8 × 7 1/4 in.).

Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.

Inspired by Greek sculpture and Japanese prints, James McNeill Whistler became entranced with portraying the female form clad in diaphanous drapery in the 1890s. He developed this theme in all the media in which he worked, including transfer lithography, oil, pastel, and watercolor. The artist usually provided garments for his models to wear, often classical gossamer gowns with high waists and crossed bodices paired with brightly colored kerchiefs. His models needed a certain degree of strength and agility, as he sometimes asked them to dance about his studio until he found a suitable pose. In Green and Blue: The Dancer , Whistler employed thin watercolor washes to distill the graceful movements of his lissome young model. The brown paper on which he painted lends opacity to the washes, thereby adding subtle weight to the thin veils of fabric draping the figure.

Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.

Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.

Location checked Sep 10, 2026. This does not indicate whether the work is on display.

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