Normandy Farmhouse
1905
- Dating
- Exact year
- Held at
- The Cleveland Museum of Art
- Medium
- color aquatint and etching
- Dimensions
- Sheet: 55.4 x 74.4 cm (21 13/16 x 29 5/16 in.); Platemark: 46.5 x 58.1 cm (18 5/16 x 22 7/8 in.)
- Collection no.
- 1996.326
- Attribution
- By the artist
Collection: The Cleveland Museum of Art
About this artwork
Normandy Farmhouse — Jacques Villon. 1905.
Medium: color aquatint and etching. Dimensions: Sheet: 55.4 x 74.4 cm (21 13/16 x 29 5/16 in.); Platemark: 46.5 x 58.1 cm (18 5/16 x 22 7/8 in.).
Collection record: The Cleveland Museum of Art, Cleveland. Museum connection according to this source; current display unverified.
Villon, whose real name was Gaston Duchamp, arrived in Paris in 1895. In 1899 he met the printer Eugène Delâtre who encouraged him to produce his first intaglio prints. With the help of Delâtre, who was an excellent technician and teacher, Villon produced 175 color etchings and aquatints over the following decade. Many of these, like Normandy Farmhouse, were published in small editions by the print dealer Edmond Sagot. Villon was one of several excellent printmakers who helped to revive multiplate color etching in France. The technique of printing a plate for each color had been devised in the 18th century, but was no longer used because of the difficult and tedious task of accurately superimposing one inked plate after another onto a single piece of paper that would carry the final, multicolored image. Influenced by the lithographed posters of Jules Chéret, Japanese color woodblock prints, and the development of photomechanical color printing processes to illustrate journals and books, artists once again exploited the possibilities of color intaglio printmaking. Normandy Farmhouse is a beautiful example of Villon's achievement.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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