Art, literature & history
L'Estropié a la Béquille et a La Jambe de Bois (The Cripple with a Crutch and a Wooden Leg), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
1616–22
- Dating
- Date range
- Medium
- Etching and engraving; first state of two (Lieure)
- Dimensions
- Sheet: 7 5/16 x 10 5/16 in. (18.5 x 26.2 cm) Plate: 2 1/2 x 3 3/8 in. (6.3 x 8.5 cm)
- Collection no.
- 57.650.302(10)
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Jacques Callot. L'Estropié a la Béquille et a La Jambe de Bois (The Cripple with a Crutch and a Wooden Leg), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs). Jacques Callot; The Metropolitan Museum of Art; Bequest of Edwin De T. Bechtel, 1957. CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/). Full-frame proportional resize and JPEG compression.
Collection: The Metropolitan Museum of Art
About this artwork
L'Estropié a la Béquille et a La Jambe de Bois (The Cripple with a Crutch and a Wooden Leg), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) — Jacques Callot. 1616–22.
Medium: Etching and engraving; first state of two (Lieure). Dimensions: Sheet: 7 5/16 x 10 5/16 in. (18.5 x 26.2 cm) Plate: 2 1/2 x 3 3/8 in. (6.3 x 8.5 cm).
Collection record: The Metropolitan Museum of Art, New York. Museum connection according to this source; current display unverified.
Credit line: Bequest of Edwin De T. Bechtel, 1957.
This is a museum catalogue record, not a current-display assertion.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.