Standing Figure of Christ with Arms Upraised
Il Pordenone · 1484–1539
Il Pordenone: 1484–1539
Other names (90)
Antoine Regillo, Antonio Licinio d.to il Pordenone, Antonio Regillo, Bardonone, Berdonone, Bertonone, Bodenone, Bordenone, Bordinon, Bordinone, Bordolone, Bordonne, Bordoñón, Bordonone, Bordononi, Brondonone, called Pordenone Giovanni Antonio Licinio, Cav. Antonio Licinio detto Pordenone, Curticello, Cuticello, da Pordenone Licinio, da Pordenone Regillo, de Sacchis, De Sachis Pordenone, dit le Pordenon Jean-Antoine Licinio, dit Pordenon Jean-Antoine Licinio Rigilio, G. A. L. da Pordenone, G. A. Licinio Da Pordenone, G. A. L. Pordonone, gen. Pordenone Giovanni Antonio de Sacchi, Gio. Ant. Licinio Gen. Da Pordenone, giov. a. licinio da pordenone, Giovanni Antionio da Pordenone, Giovanni Antonio da Pordenone, Giovanni Antonio de Corticellis, Giovanni Antonio de Lodesanis, Giovanni Antonio de Lodesanis Pordenone, Giovanni Antonio de Sacchi, Giovanni Antonio de'Sacchi, Il Pordenone, Giovanni Antonio de Sacchis, Giovanni Antonio de Sachis Pordenone, Giovanni Antonio Licinio, Giovanni Antonio Licinio da Pordenone, Giovanni Antonio Licinio Pordenone, Giovanni Antonio Pordenone, Giovanni Antonio Sacchis, Giovanni Licinio da Pordenone, Giovanni Pordenone, giov. antonio da pordenone, Il Sacchiense, Jean-Antoine Licinio dit le pordenon, Jean Antoine Régillo, Lecinio, Le Pordenon, Le Pordenone, Licinio, Licinio di Portenone, Licinio Gio. Antonio detto il Pordenone, Pardenone, Pardonone, Pardononi, Perdenon, Perdenoon, Perdonese, Perdonine, Perdonone, Perdononi, Pordenon, Pordenone, Pordenonei, Pordenone Venetiano, Pordenoni, Pordenonne, Pordenono, Pordenore, Pordinon, Pordinone, Pordinoni, Pordone, Pordonnone, Pordonon, Pordonona, Pordonone, Pordononi, Portdenom, Prodonone, Pudernone, Sacchiense, Sbordonone, Vordonon
Biography
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis (c. 1484 – 14 January 1539), an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock".
He appears to have visited Rome, and learnt from its High Renaissance masterpieces, but lacked a good training in anatomical drawing. Like Polidoro da Caravaggio, he was one of the artists often commissioned to paint the exteriors of buildings; of such work at most a shadow survives after centuries of weather. Michelangelo is said to have approved of one palace facade in 1527; it is now only known from a preparatory drawing.
Much of his work was lost when the Doge's Palace in Venice was largely destroyed by fires in 1574 and 1577. A number of fresco cycles survive, for example part of one at Cremona Cathedral, where his Passion scenes have a violence hardly repeated until Goya. Another cycle was at the Scuola Grande della Carità in Venice, now the Gallerie dell'Accademia, the main art museum, where he worked with the young Tintoretto.
His life was as energetic and restless as his art; he married three times, and was accused in court of hiring criminals to kill his brother to avoid sharing their inheritance. He perhaps had some influence on later works by Titian and more clearly on Tintoretto, who to some extent took over his position as the leading painter of large mural commissions in Venice. Titian and Pordenone were rivals in his last decade and gossip even claimed that his death was suspicious.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Artworks by year
Loading chronology…Museum / collectionAll collections
Finding recorded artworks…
Museums & collections
Documented holdings of works attributed to Il Pordenone. Check the museum’s record for current display information.
- The Metropolitan Museum of Art2 recorded works
- musée des beaux-arts et d'archéologie — Besançon1 recorded work
Art, literature & history