
The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857
1857
- Dating
- Exact year
- Held at
- Art Institute of Chicago
- Medium
- Lithograph in black on white wove paper
- Dimensions
- Image: 24.6 × 21 cm (9 11/16 × 8 5/16 in.); Sheet: 35.8 × 27.5 cm (14 1/8 × 10 7/8 in.)
- Collection no.
- 1968.27
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Honoré Daumier. The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857. Art Institute of Chicago. CC0 1.0. Compressed full-frame reproduction.
Collection: Art Institute of Chicago
About this artwork
The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857 — Honoré Daumier. 1857.
Medium: Lithograph in black on white wove paper. Dimensions: Image: 24.6 × 21 cm (9 11/16 × 8 5/16 in.); Sheet: 35.8 × 27.5 cm (14 1/8 × 10 7/8 in.).
Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.
In this lithograph, Daumier lampooned the popularity of paintings in the annual Salon by placing an overwrought sculpture atop a round settee in the center of a painting gallery. The total number of works of art exhibited at the Salon was already over 5,000 by this date, and paintings were hung nearly from floor to ceiling. As a result, the sculpture in the middle of the room becomes effectively invisible, as viewers seated below only look outward. With so much color on the surrounding walls, the sculpture becomes a monochrome, washed-out specter despite its imposing scale and animated antics.
Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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