Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon — Henry Fuseli

Henry Fuseli

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon

1770–71

Dating
Date range
Held at
Art Institute of Chicago
Medium
Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card
Dimensions
Both sides: 35.7 × 57.2 cm (14 1/16 × 22 9/16 in.); Secondary support: 42 × 36.9 cm (16 9/16 × 14 9/16 in.)
Collection no.
2012.79
Attribution
By the artist
Image rights
CC0 1.0License details

Henry Fuseli. Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon. Art Institute of Chicago. CC0 1.0. Compressed full-frame reproduction.

Collection: Art Institute of Chicago

About this artwork

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon — Henry Fuseli. 1770–71.

Medium: Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card. Dimensions: Both sides: 35.7 × 57.2 cm (14 1/16 × 22 9/16 in.); Secondary support: 42 × 36.9 cm (16 9/16 × 14 9/16 in.).

Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.

Fuseli often dwelled on the macabre and the sensational, as in this drawing, and occasionally allowed his unconscious mind to dictate his subject matter. “For if these images so pursue us when our minds are in a kind of waking dream,” he wrote, “why should we not use this vice of the mind?” Fuseli’s art played a role in his age’s taste for the Gothic. It was an era that saw the emergence of distinctly modern forms of cultural consumption: romances, sentimental novels and, most important, Gothic novels and plays focusing on themes of terror and the supernatural. As Fuseli’s student Benjamin Haydon wrote, “Amongst all classes [Fuseli] was considered a painter of horrors.”

Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.

Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.

Location checked Sep 10, 2026. This does not indicate whether the work is on display.

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