
Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon
1770–71
- Dating
- Date range
- Held at
- Art Institute of Chicago
- Medium
- Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card
- Dimensions
- Both sides: 35.7 × 57.2 cm (14 1/16 × 22 9/16 in.); Secondary support: 42 × 36.9 cm (16 9/16 × 14 9/16 in.)
- Collection no.
- 2012.79
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Henry Fuseli. Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon. Art Institute of Chicago. CC0 1.0. Compressed full-frame reproduction.
Collection: Art Institute of Chicago
About this artwork
Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon — Henry Fuseli. 1770–71.
Medium: Graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory Japanese paper, edge mounted on cream card. Dimensions: Both sides: 35.7 × 57.2 cm (14 1/16 × 22 9/16 in.); Secondary support: 42 × 36.9 cm (16 9/16 × 14 9/16 in.).
Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.
Fuseli often dwelled on the macabre and the sensational, as in this drawing, and occasionally allowed his unconscious mind to dictate his subject matter. “For if these images so pursue us when our minds are in a kind of waking dream,” he wrote, “why should we not use this vice of the mind?” Fuseli’s art played a role in his age’s taste for the Gothic. It was an era that saw the emergence of distinctly modern forms of cultural consumption: romances, sentimental novels and, most important, Gothic novels and plays focusing on themes of terror and the supernatural. As Fuseli’s student Benjamin Haydon wrote, “Amongst all classes [Fuseli] was considered a painter of horrors.”
Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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