
Saint Jerome
1630–35
- Dating
- Date range
- Held at
- Art Institute of Chicago
- Medium
- Etching and engraving in black on ivory laid paper
- Dimensions
- Plate: 21.6 × 13.9 cm (8 9/16 × 5 1/2 in.); Sheet: 22.7 × 15 cm (8 15/16 × 5 15/16 in.)
- Collection no.
- 1935.431
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Guido Reni. Saint Jerome, 1630–35. Inventory 1935.431. Guido Reni; Art Institute of Chicago. Collection credit: Bernard F. Rogers Collection. CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/). https://www.artic.edu/artworks/111860. Full-frame proportional resize and JPEG compression.
Collection: Art Institute of Chicago
About this artwork
Saint Jerome — Guido Reni. 1630–35.
Medium: Etching and engraving in black on ivory laid paper. Dimensions: Plate: 21.6 × 13.9 cm (8 9/16 × 5 1/2 in.); Sheet: 22.7 × 15 cm (8 15/16 × 5 15/16 in.).
Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.
While he did produce a small number of etchings himself, Guido Reni nonetheless appreciated the possibilities offered by circulating his works via prints made in collaboration with other artists. Here Jerome appears more pensive and scholarly than in the nearby woodcut (1955.1070), made after a different Reni drawing, which shows him striking himself in the chest with a rock. While only Coriolano included an explicit halo, elegantly inscribed with the tan color block, both sheets movingly depict an impassioned saint striving for spiritual perfection in the wilderness.
Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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