Painting
1952
- Dating
- Exact year
- Held at
- Art Institute of Chicago
- Medium
- Oil on canvas
- Dimensions
- 195.6 × 254 cm (77 × 100 in.)
- Collection no.
- 1984.521
- Attribution
- By the artist
Collection: Art Institute of Chicago
About this artwork
Painting — Franz Kline. 1952.
Medium: Oil on canvas. Dimensions: 195.6 × 254 cm (77 × 100 in.).
Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.
Until the early 1940s, Franz Kline painted realistic landscapes, portraits, and cityscapes that were inspired by the textures and forms of New York City. Around 1949 he began to make black-and-white canvases such as Painting , which, while abstract, continue to suggest the invigorating energy of urban street life. The artist’s preparation for his paintings included making numerous sketches on newspaper or telephone-book pages. He then translated a small-scale drawing onto canvas, as, what he called, “strokes expanding as entities in themselves.” Utilizing housepainters’ brushes, Kline tacked his canvases to a wood panel in order to obtain the hard surface that he needed to paint his world of eternally colliding forces. Though the many visible drip marks imply a quick, spontaneous execution, the artist returned to this work several times over a two-month period to refine and strengthen its rhythm and spacing.
Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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