
A Bad Night, Plate 36
1799
- Dating
- Exact year
- Held at
- The Cleveland Museum of Art
- Medium
- etching and aquatint
- Dimensions
- Image: 18.9 x 13.2 cm (7 7/16 x 5 3/16 in.); Platemark: 21.4 x 15.1 cm (8 7/16 x 5 15/16 in.); Sheet: 26.3 x 20 cm (10 3/8 x 7 7/8 in.)
- Collection no.
- 1997.54
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Francisco Goya. A Bad Night, Plate 36. The Cleveland Museum of Art. CC0 1.0. Compressed full-frame reproduction.
Collection: The Cleveland Museum of Art
About this artwork
A Bad Night, Plate 36 — Francisco Goya. 1799.
Medium: etching and aquatint. Dimensions: Image: 18.9 x 13.2 cm (7 7/16 x 5 3/16 in.); Platemark: 21.4 x 15.1 cm (8 7/16 x 5 15/16 in.); Sheet: 26.3 x 20 cm (10 3/8 x 7 7/8 in.).
Collection record: The Cleveland Museum of Art, Cleveland. Museum connection according to this source; current display unverified.
A Bad Night is from Los Caprichos (Caprices), a set of 80 prints that satirize the vices and follies of contemporary Spanish society. Goya explored the themes of superstition and sensuality, greed and violence, and immorality and deceit practiced by men and women who appear alternately as aggressors and victims. He parodied ignorance and stupidity as well as the corruption of the church and government. Goya exploited aquatint to create a dramatic contrast of light and shade through the biting and burnishing of richly textured or velvet-smooth aquatint grains. He thus expressed the opposing forces of enlightenment and ignorance, reason and the irrational world, and suggested an atmosphere of violence and doom, best illustrated in the trial proofs like this one, printed before the first edition.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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