
Bravo!, plate 38 from Los Caprichos
1797/99
- Dating
- Date range
- Held at
- Art Institute of Chicago
- Medium
- Etching and aquatint on ivory laid paper
- Dimensions
- Image: 18.5 × 13 cm (7 5/16 × 5 1/8 in.); Plate: 21.6 × 15.1 cm (8 9/16 × 6 in.); Sheet: 30.1 × 20.8 cm (11 7/8 × 8 1/4 in.)
- Collection no.
- 1948.110.38
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Francisco Goya. Bravo!, plate 38 from Los Caprichos. Art Institute of Chicago. CC0 1.0. Compressed full-frame reproduction.
Collection: Art Institute of Chicago
About this artwork
Bravo!, plate 38 from Los Caprichos — Francisco Goya. 1797/99.
Medium: Etching and aquatint on ivory laid paper. Dimensions: Image: 18.5 × 13 cm (7 5/16 × 5 1/8 in.); Plate: 21.6 × 15.1 cm (8 9/16 × 6 in.); Sheet: 30.1 × 20.8 cm (11 7/8 × 8 1/4 in.).
Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.
Francisco de Goya wrote acidic commentary to accompany each print in his series The Caprices . For Bravo! he noted, “If ears were all that were needed to appreciate it, no one could listen more intelligently.” Some critical readings of this work interpret it as a commentary on Manuel de Godoy’s parties thrown for King Charles IV. Godoy came to Charles’s palace in Madrid as a musician and left it as prime minister; his meteoric rise is often attributed to a liaison with Queen Maria Louisa. Bravo! suggests the king was oblivious to this relationship to the point of not recognizing what was in front of him.
Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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