Francesco Primaticcio
1504–1570
![Fortitude (Study for the "Cabinet du roi" [King's Study]) — Francesco Primaticcio](/_next/image?url=%2Fassets%2Fartworks%2Fopen-museums%2Fchicago%2F3131dfbb-0b64-4931-939c-f740eb615148-c3a9e1461a453468.jpg&w=3840&q=75)
Selected artwork
Fortitude (Study for the "Cabinet du roi" [King's Study])
1541/45
Art Institute of Chicago
Other names (51)
Abbate Primadezzi, Abbate Primadizzi, Bologna Primadizzi, Bologna Primaticcio, disciple de Raphaël Bologna, dit Bologna François Primatice, f. primaticcio, F. Primatice, Francesco Bologna, Francesco da Bologna, Francesco Prematiccio, Francesco Primadizzi, Francesco Primaticci, Francesco Primaticio, Francesco Primatico, Francesco Primatticcio, Francesco Primatticco, Francesco Primatticio, Francesco Primiticcio, Francisco Primaticcio, Francisco Primaticcio Bollognese, Francisco Primatitio, François Primatice, Franç. Primaticio da Bologna, il Primaticcio, Le Primatice, Le Primatisse, Pimaticcio, Prematecheo, Prematiccio, Prematice, Prematicio, Prematizzo, Primadizzi, Primaticce, Primaticci, Primaticcio, Primatice, Primatici, Primaticio, Primatico, Primatis, Primatise, Primatisse, Primatitio, Primatrice, Primatticcio, Primatticco, Primatticio, Primiticcio, Primoticcio
Biography
Francesco Primaticcio (Italian pronunciation: [franˈtʃesko primaˈtittʃo]; April 30, 1504 – 1570) was an Italian Mannerist painter, architect and sculptor who spent most of his career in France.
Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532.
Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings and, sometimes, engravings. Francis I trusted his eye and sent him back to Italy on buying trips in 1540 and again in 1545.
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Influenced by
- Innocenzo di Pietro Francucci da Imolaeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Giulio Romanoeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Francesco Primaticcio. Check the museum’s record for current display information.
- The Metropolitan Museum of Art4 recorded works
- musée des beaux-arts et d'archéologie — Besançon2 recorded works
- Art Institute of Chicago1 recorded work
- The Cleveland Museum of Art1 recorded work
Art, literature & history