Euan Uglow
1932–2000
Selected artwork
Standing Nude
1960–1
Tate
Other names (4)
Euan Uglow, Euan Uglow, Euan Uglow, Euan Uglow
Influenced by
- Claude Rogerseditorial inference
Evidence
The biography identifies Claude Rogers as an artistic influence on Euan Uglow. Uglow acknowledged Coldstream's influence but considered Rogers more important to his development; the distinction is preserved. Explicit secondary-source assertion; independent historical verification remains pending.
- William Coldstreameditorial inference
Evidence
The biography identifies William Coldstream as a teacher of Euan Uglow. Uglow acknowledged Coldstream's influence but considered Rogers more important to his development; the distinction is preserved. Explicit secondary-source assertion; independent historical verification remains pending. Teaching does not by itself establish artistic influence.
- Claude Rogerseditorial inference
Evidence
The biography identifies Claude Rogers as a teacher of Euan Uglow. Uglow acknowledged Coldstream's influence but considered Rogers more important to his development; the distinction is preserved. Explicit secondary-source assertion; independent historical verification remains pending. Teaching does not by itself establish artistic influence.
- William Coldstreameditorial inference
Evidence
The biography identifies William Coldstream as an artistic influence on Euan Uglow. Uglow acknowledged Coldstream's influence but considered Rogers more important to his development; the distinction is preserved. Explicit secondary-source assertion; independent historical verification remains pending.
- Jean-Auguste-Dominique Ingreseditorial inference
Evidence
The biography identifies Jean-Auguste-Dominique Ingres as an artist admired by Euan Uglow. Matisse is expressly an influence; the other painters are described as closest to his heart and retained as admiration. The Lemon dome analogy is not a painter influence. Explicit secondary-source assertion; independent historical verification remains pending.
- Nicolas Poussineditorial inference
Evidence
The biography identifies Nicolas Poussin as an artist admired by Euan Uglow. Matisse is expressly an influence; the other painters are described as closest to his heart and retained as admiration. The Lemon dome analogy is not a painter influence. Explicit secondary-source assertion; independent historical verification remains pending.
- Henri Matisseeditorial inference
Evidence
The biography identifies Henri Matisse as an artistic influence on Euan Uglow. Matisse is expressly an influence; the other painters are described as closest to his heart and retained as admiration. The Lemon dome analogy is not a painter influence. Explicit secondary-source assertion; independent historical verification remains pending.
- Giorgio Morandieditorial inference
Evidence
The biography identifies Giorgio Morandi as an artist admired by Euan Uglow. Matisse is expressly an influence; the other painters are described as closest to his heart and retained as admiration. The Lemon dome analogy is not a painter influence. Explicit secondary-source assertion; independent historical verification remains pending.
- Paul Cézanneeditorial inference
Evidence
The biography identifies Paul Cézanne as an artist admired by Euan Uglow. Matisse is expressly an influence; the other painters are described as closest to his heart and retained as admiration. The Lemon dome analogy is not a painter influence. Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
Loading chronology…Museum / collectionAll collections
Finding recorded artworks…
Museums & collections
Documented holdings of works attributed to Euan Uglow. Check the museum’s record for current display information.
- Tate2 recorded works
- Art Gallery of South Australia1 recorded work
- UCL Art Museum1 recorded work
- Victoria Gallery & Museum1 recorded work
Art, literature & history