Domenico Fetti
1589–1623

Selected artwork
The Veil of Veronica
c. 1618/1622
National Gallery of Art
Other names (49)
Dé Feté, De Feti, De Fetti, D. Feti, D. Fette, D Fetti, D. Fettie, D. Fety, D. Fitti, Do. Fetti, Domenico De fete, Domenico De Fetti, Domenico Fete, Domenico Feti, Domenico Fette, Domenico Fetti Genovese, Domenico Fitti, Domenico gen. Mantuano Feti, Domenique Feti, Dom Feti, Dom. Fetti, Domin. Feti, Domin. Fetti, Dominici Fetti, Dominico Feti, Dominico Fetti, Dominico Fetto, Dominico Fety, Dominicus Feti, Domini Fetti, Dominifitti, Dominique Fet, Dominique Feti, Dominique Fety, Feti, Fetie, Fetis, Fette, Fetti, Fetti Genovese, Fetti Romano, Fetti van Mantua, Fetty, Fety, Féty. D., La Féti, Lefeti, Le Feti, Louis-Dominique Feti
Biography
Domenico Fetti (also spelled Feti) (c. 1589 – 16 April 1623) was an Italian Baroque painter who was active mainly in Rome, Mantua and Venice.
Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604–1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular speciality, and he and his studio often repeated his compositions.
In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s–30s, three "foreigners"—Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys—breathed the first influences of the Roman Baroque style.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Caravaggioeditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified.
Later influence
- Bernardo Strozzieditorial inference
Evidence
Rubens, Veronese, Liss and Fetti explicitly shape Strozzi; Caravaggio in this passage concerns his predecessors, so no automatic transitive link. Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Domenico Fetti. Check the museum’s record for current display information.
- Kunsthistorisches Museum, Gemäldegalerie4 recorded works
- The Metropolitan Museum of Art3 recorded works
- National Gallery of Art1 recorded work
Sources 9
- Wikidata (CC0)
- Austrian museum collections: independent authority research
- National Gallery of Art
- Museum authority country review
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Museum authority country review
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
- Austrian museum collections: independent authority research
- Pantheon 2025 — Datawheel (CC BY-SA 4.0)
Art, literature & history