The Waterfalls at Tivoli — Claude Joseph Vernet

Claude Joseph Vernet

The Waterfalls at Tivoli

1737

Dating
Exact year
Held at
The Cleveland Museum of Art
Medium
oil on canvas
Dimensions
Framed: 142.5 x 192.5 x 9 cm (56 1/8 x 75 13/16 x 3 9/16 in.); Unframed: 123.2 x 172.6 cm (48 1/2 x 67 15/16 in.)
Collection no.
1984.175
Attribution
By the artist
Image rights
CC0 1.0License details

Claude Joseph Vernet. The Waterfalls at Tivoli. The Cleveland Museum of Art. CC0 1.0. Compressed full-frame reproduction.

Collection: The Cleveland Museum of Art

About this artwork

The Waterfalls at Tivoli — Claude Joseph Vernet. 1737.

Medium: oil on canvas. Dimensions: Framed: 142.5 x 192.5 x 9 cm (56 1/8 x 75 13/16 x 3 9/16 in.); Unframed: 123.2 x 172.6 cm (48 1/2 x 67 15/16 in.).

Collection record: The Cleveland Museum of Art, Cleveland. Museum connection according to this source; current display unverified.

Likely Vernet's first major work during his study in Rome, this landscape demonstrates his signature style. Vernet preferred and is remembered for marine subjects and water is also a central theme in this painting. Vernet became the predominant French landscape painter of the 18th century, contributing to a long French tradition. While in Rome, he absorbed the Italian tradition of dramatic, rugged landscape paintings, established by Salvador Rosa in the 1600s. This influence is reflected in Vernet's presentation of the craggy rock formations and cascades that made Tivoli, a small town twenty miles east of Rome, famous. Vernet here synthesizes this style with the calmer pastoral mode, more typical of the French landscape tradition, with its roots in the work of Claude Lorrain. Vernet generally inserted elements of humanity in his work, here evident in the touches of civilization in the background and the fishermen in the foreground. Vernet enjoyed considerable popularity, evidenced by the fact that Napoleon's brother Lucien Bonaparte held this painting as a part of his impressive collection.

Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.

Location checked Sep 10, 2026. This does not indicate whether the work is on display.

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