Cigoli
1559–1613

Selected artwork
The Adoration of the Shepherds with Saint Catherine of Alexandria
1599
The Metropolitan Museum of Art
Other names (56)
called Cigoli Lodovico Cardi, called Cigoli Louis Cardi, Cardi, Cavaliere Lodovico Cigoli, Cav. Ludovico Cardi detto Cigoli, Ciccoli, Ciccoli fiorentino, Ciccolo, Cicoli, Ciggoli, Cìgoli, Cigolie, Cigoli Lodovico, Cigoly, Ciuli, Civoli, Civoli Fiorentino, Civolio, civolo, dit le Cigoli Loudovico Cardi, dit le Civoli Louis Cardi, Gardi Cigoli, gen. Cigoli Lodovico Cardi, gen. Cigoli Ludovico Cardi, Gigoli, Gio: Ciguli, il Cigoli, l. cardi, l. cardi da cigoli, L. Cigoli, L. Civoli, Le Civoli, Lod. Cardi gen. Cigoli, Lod. Cigoli, Lodovico Cardi, Lodovico Cardi-Cigoli, Lodovico Cardi da Cigoli, lodovico cardi della cigoli, Lodovico Cardi detto il Cigoli, Lodovico Cardi gen. Cigoli, Lodovico Cigoli, Lodovico Civoli, Lodovico, detto Cigolo Cardi, Lodovico Gigoli, Louis Cigoli, Louis Civoli, Louis Civoli ou Cigoli, ludov. cardi, Ludovico Cardi, Ludovico Cardi Cigoli, Ludovico Cardi Da Cigoli, Ludovico Cardi de Cigoli, ludovico cardi il cigoli, Ludovico Cigoli, Ludovico gen. Cigoli Cardi, or Cigoli Lod. Cardi
Biography
Lodovico or Ludovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome.
Lodovico Cardi was born at Villa Castelvecchio in Cigoli, in the Duchy of Florence, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori, and studied the works of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Later, influenced by the most prominent of the "Counter-Maniera" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting.
For the Roman patron, Massimo Massimi, he painted an Ecce Homo (now in Palazzo Pitti). Supposedly unbeknownst to any of the painters, two other prominent contemporary painters, Passignano and Caravaggio, had been requested canvases on the same theme. This work was afterwards taken by Napoleon to the Louvre, and was restored to Florence in 1815.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Influenced by
- Alessandro Allorieditorial inference
Evidence
Wikidata assertion retained for review; its references, if supplied, have not been independently verified. Teaching is recorded separately and does not itself establish artistic influence.
- Federico Baroccieditorial inference
Evidence
Santi di Tito and Barocci directly influence the change of style. Other masters studied are not automatically added. Explicit secondary-source assertion; independent historical verification remains pending.
- Santi di Titoeditorial inference
Evidence
Santi di Tito and Barocci directly influence the change of style. Other masters studied are not automatically added. Explicit secondary-source assertion; independent historical verification remains pending.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Cigoli. Check the museum’s record for current display information.
- The Metropolitan Museum of Art5 recorded works
- National Gallery of Art2 recorded works
- The Cleveland Museum of Art2 recorded works
Art, literature & history