Carlo Dolci
1616–1686

Selected artwork
St Agnes
c. 1670
National Gallery of Ireland
Other names (61)
Car. Dolcé, Car. Dolci, Carl. Dolce, Carl Dolci, Carl Dolzi, Carle Dolcé, Carle Dolci, Carlin Dolce, Carlin Dolche, Carlin Dolci, Carlin Dolci fiorentino, Carlin Dolze, Carlin Doulcy, Carlino, Carlino d'Olce, Carlino Dolce, Carlino Dolche, Carlino Dolci, Carl Lodolci, Carl Lodolcy, Carlo Dolcci, Carlo Dolce, Carlo Dolce da Fiorenza, Carlodolchi, Carlo Dolchi, Carlo Dolchy, Carlodolci, C[arlo] D[olci], Carlo Dolcino, Carlo Dolcy, Carlo Dolei, Carlo Dolsje, Carlo Dolu, Carlo Dolze da Fiorenza, Carlo Doulcy, Carlo Ducci, Carlo Dulci, Carlo Dulge, Carnillio Dolce, Caro Dolce, Carolo Dolce, Carolo Dolci, Carolo Dulci, Cartin Dolchy, C. Dolca, C. Dolce, C Dolci, C. Dolei, C. Dolie, C. Dolsce, C. Dolu, dit Carlin Dolché Carlo Dolci, Dolce, Dolce Carlo, Dolche, Dolci, Dolci Carlo, Dolcino, Dolze, Dolzi da Fiorenza, or Carlo Dolci Carlino
Biography
Carlo (or Carlino) Dolci (25 May 1616 – 17 January 1686) was an Italian Baroque painter active mainly in Florence, known for highly finished religious pictures, often repeated in many versions.
He was born in Florence, on his mother's side the grandson of a painter. He was precocious and apprenticed at a young age to Jacopo Vignali, and when only eleven years of age he attempted a whole figure of St John, and a head of the infant Christ, which received some approbation. Dolci was not prolific; "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made copies of his works.
After attempting the whole figure of St John, and the head of the infant Christ, he painted a portrait of his mother, displaying a new and delicate style which brought him into notice.
Wikipedia contributors. Opening excerpt, formatted for reading. CC BY-SA 4.0. Source revision.
Later influence
- Georg Engelhard Schrödereditorial inference
Evidence
The biography identifies Carlo Dolci as an artistic influence on Georg Engelhard Schröder. The biography distinguishes Italian Baroque inspiration from later London portraiture influences. Explicit secondary-source assertion; independent historical verification remains pending.
- Onorio Marinarieditorial inference
Evidence
The biography identifies Carlo Dolci as a teacher of Onorio Marinari. Explicit secondary-source assertion; independent historical verification remains pending. Teaching does not by itself establish artistic influence.
Artworks by year
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Museums & collections
Documented holdings of works attributed to Carlo Dolci. Check the museum’s record for current display information.
- The Metropolitan Museum of Art2 recorded works
- musée national Magnin — Dijon1 recorded work
- National Gallery of Ireland1 recorded work
Art, literature & history