
De Poolse Muts
c. 1620–30
- Dating
- Approximate date range
- Held at
- The Cleveland Museum of Art
- Medium
- brush and watercolor in red, green, and yellow with white heightening or grey wash on antique laid cream paper
- Dimensions
- Support: 37.5 x 26.7 cm (14 3/4 x 10 1/2 in.); Matted: 49.7 x 39.1 x 0.3 cm (19 9/16 x 15 3/8 x 1/8 in.); Image: 30.3 x 19.9 cm (11 15/16 x 7 13/16 in.)
- Collection no.
- 2019.1
- Attribution
- By the artist
- Image rights
- CC0 1.0License details
Balthasar van der Ast. De Poolse Muts. The Cleveland Museum of Art. CC0 1.0. Compressed full-frame reproduction.
Collection: The Cleveland Museum of Art
About this artwork
De Poolse Muts — Balthasar van der Ast. c. 1620–30.
Medium: brush and watercolor in red, green, and yellow with white heightening or grey wash on antique laid cream paper. Dimensions: Support: 37.5 x 26.7 cm (14 3/4 x 10 1/2 in.); Matted: 49.7 x 39.1 x 0.3 cm (19 9/16 x 15 3/8 x 1/8 in.); Image: 30.3 x 19.9 cm (11 15/16 x 7 13/16 in.).
Collection record: The Cleveland Museum of Art, Cleveland. Museum connection according to this source; current display unverified.
Still-life painting began in the Northern Netherlands (present-day Holland) around the turn of the 1600s. Still-life painter Balthasar van der Ast made this precise botanical study of a pink carnation as a reference that he could add later to a painting of an elaborate bouquet of flowers. Van der Ast inscribed the name “The Polish Cap,” on the sheet to suggest that the flower came from foreign lands.
Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.
Location checked Sep 10, 2026. This does not indicate whether the work is on display.
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