Laban Searching for His Stolen Gods — Augustin de Saint-Aubin

Augustin de Saint-Aubin

Laban Searching for His Stolen Gods

1753

Dating
Exact year
Held at
The Cleveland Museum of Art
Medium
oil on canvas
Dimensions
Framed: 62 x 72 x 7.5 cm (24 7/16 x 28 3/8 x 2 15/16 in.); Unframed: 45.6 x 57.3 cm (17 15/16 x 22 9/16 in.)
Collection no.
1965.548
Attribution
By the artist
Image rights
CC0 1.0License details

Augustin de Saint-Aubin. Laban Searching for His Stolen Gods. The Cleveland Museum of Art. CC0 1.0. Compressed full-frame reproduction.

Collection: The Cleveland Museum of Art

About this artwork

Laban Searching for His Stolen Gods — Augustin de Saint-Aubin. 1753.

Medium: oil on canvas. Dimensions: Framed: 62 x 72 x 7.5 cm (24 7/16 x 28 3/8 x 2 15/16 in.); Unframed: 45.6 x 57.3 cm (17 15/16 x 22 9/16 in.).

Collection record: The Cleveland Museum of Art, Cleveland. Museum connection according to this source; current display unverified.

This painting is a sketch for a special competition in 1753 held by the Royal Academy in Paris. After the Grand Prix de Rome, the academy's top student prize, an unexpected vacancy in the school's branch in Rome required the academy to hold another contest. Saint-Aubin's oil sketch was well received and he won first place among three finalists. However, his final canvas, now in the Louvre, failed to garner him this distinguished award. Saint-Aubin eventually abandoned his goal of becoming a member of the Royal Academy and joined the less-prestigious Academy of St. Luke. The subject of Saint-Aubin's sketch, selected by the academy, comes from the Old Testament book of Genesis (31:33–35). After toiling for Laban for 14 years, Jacob fled with his wife, Rachel, who was also Laban's daughter. Unbeknownst to Jacob, Rachel had stolen her father's idols before their departure to secure her right to her first born. Laban tracks down Jacob and Rachel and accuses them of carrying off his idols. Jacob is still unaware of Rachel's previous actions, and she has hidden the gods under a camel saddle on which she sits.

Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.

Location checked Sep 10, 2026. This does not indicate whether the work is on display.

Artwork sourcesImage source