Landscape in the Dark Manner — Allaert van Everdingen

Allaert van Everdingen

Landscape in the Dark Manner

1657–61

Dating
Date range
Held at
Art Institute of Chicago
Medium
Mezzotint with touches of etching in black on ivory laid paper
Dimensions
Plate: 12.5 × 16.2 cm (4 15/16 × 6 7/16 in.); Sheet: 13 × 16.8 cm (5 1/8 × 6 5/8 in.)
Collection no.
1955.1025
Attribution
By the artist
Image rights
CC0 1.0License details

Allaert van Everdingen. Landscape in the Dark Manner, 1657–61. Inventory 1955.1025. Allaert van Everdingen; Art Institute of Chicago. Collection credit: Alsdorf Fund. CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/). https://www.artic.edu/artworks/84318. Full-frame proportional resize and JPEG compression.

Collection: Art Institute of Chicago

About this artwork

Landscape in the Dark Manner — Allaert van Everdingen. 1657–61.

Medium: Mezzotint with touches of etching in black on ivory laid paper. Dimensions: Plate: 12.5 × 16.2 cm (4 15/16 × 6 7/16 in.); Sheet: 13 × 16.8 cm (5 1/8 × 6 5/8 in.).

Collection record: Art Institute of Chicago, Chicago. Museum connection according to this source; current display unverified.

In contrast to Rembrandt’s dark, linear etching and burin work, landscape etcher Allart van Everdingen created a group of evocative, softly toned nocturnal prints and book illustrations using an early form of mezzotint engraving. Here a dilapidated house and a church spire emerge from the murky darkness. The chronology of Everdingen’s ten early mezzotints remains inconclusive, for none are dated. However, this plate’s variety of intaglio media and the seepage of ink into the margins suggest an inventive search for new tonal effects on the part of the artist, which likely occurred before he learned about standard mezzotint methods in the later 1660s.

Description: © Art Institute of Chicago, original record, CC BY 4.0. HTML formatting removed; wording retained. Other artwork metadata: CC0.

Source: official collection record. Metadata selected and normalized by Artline from the source export, accessed 10 September 2026; no museum endorsement. Reproduction rights are separate.

Location checked Sep 10, 2026. This does not indicate whether the work is on display.

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